Ulysses By James Joyce Chapter 11 - The Sirens

Jiggedy jingle jaunty jaunty.

Only the harp. Lovely. Gold glowering light. Girl touched it. Poop of a lovely. Gravy's rather good fit for a. Golden ship. Erin. The harp that once or twice. Cool hands. Ben Howth, the rhododendrons. We are their harps. I. He. Old. Young.

— Ah, I couldn't, man, Mr Dedalus said, shy, listless.

Strongly.

— Go on, blast you! Ben Dollard growled. Get it out in bits.

M'appari, Simon, Father Cowley said.

Down stage he strode some paces, grave, tall in affliction, his long arms outheld. Hoarsely the apple of his throat hoarsed softly. Softly he sang to a dusty seascape there: A Last Farewell. A headland, a ship, a sail upon the billows. Farewell. A lovely girl, her veil awave upon the wind upon the headland, wind around her.

Cowley sang:

— M'appari tutt'amor:
Il mio sguardo l'incontr . . .

She waved, unhearing Cowley, her veil, to one departing, dear one, to wind, love, speeding sail, return.

— Go on, Simon.

— Ah, sure, my dancing days are done, Ben . . . Well . . .

Mr Dedalus laid his pipe to rest beside the tuningfork and, sitting, touched the obedient keys.

— No, Simon, Father Cowley turned. Play it in the original. One flat.

The keys, obedient, rose higher, told, faltered, confessed, confused.

Up stage strode Father Cowley.

— Here, Simon, I'll accompany you, he said. Get up.

By Graham Lemon's pineapple rock, by Elvery's elephant jingly jogged. Steak, kidney, liver, mashed, at meat fit for princes sat princes Bloom and Goulding. Princes at meat they raised and drank, Power and cider.

Most beautiful tenor air ever written, Richie said: Sonnambula. He heard Joe Maas sing that one night. Ah, what M'Guckin! Yes. In his way. Choirboy style. Maas was the boy. Massboy. A lyrical tenor if you like. Never forget it. Never.

Tenderly Bloom over liverless bacon saw the tightened features strain. Backache he. Bright's bright eye. Next item on the programme. Paying the piper. Pills, pounded bread, worth a guinea a box. Stave it off awhile. Sings too: Down among the dead men. Appropriate. Kidney pie. Sweets to the. Not making much hand of it. Best value in. Characteristic of him. Power. Particular about his drink. Flaw in the glass, fresh Vartry water. Fecking matches from counters to save. Then squander a sovereign in dribs and drabs. And when he's wanted not a farthing. Screwed refusing to pay his fare. Curious types.

Never would Richie forget that night. As long as he lived: never. In the gods of the old Royal with little Peake. And when the first note.

Speech paused on Richie's lips.

Coming out with a whopper now. Rhapsodies about damn all.

Believes his own lies. Does really. Wonderful liar. But want a good memory.

— Which air is that? asked Leopold Bloom.

All is lost now.

Richie cocked his lips apout. A low incipient note sweet banshee murmured: all. A thrush. A throstle. His breath, birdsweet, good teeth he's proud of, fluted with plaintive woe. Is lost. Rich sound. Two notes in one there. Blackbird I heard in the hawthorn valley. Taking my motives he twined and turned them. All most too new call is lost in all. Echo. How sweet the answer. How is that done? All lost now. Mournful he whistled. Fall, surrender, lost.

Bloom bent leopold ear, turning a fringe of doyley down under the vase. Order. Yes, I remember. Lovely air. In sleep she went to him. Innocence in the moon. Brave. Don't know their danger. Still hold her back. Call name. Touch water. Jingle jaunty. Too late. She longed to go. That's why. Woman. As easy stop the sea. Yes: all is lost.

— A beautiful air, said Bloom lost Leopold. I know it well.

Never in all his life had Richie Goulding.

He knows it well too. Or he feels. Still harping on his daughter. Wise child that knows her father, Dedalus said. Me?

Bloom askance over liverless saw. Face of the all is lost. Rollicking Richie once. Jokes old stale now. Wagging his ear. Napkinring in his eye. Now begging letters he sends his son with. Crosseyed Walter sir I did sir. Wouldn't trouble only I was expecting some money. Apologise.

Piano again. Sounds better than last time I heard. Tuned probably. Stopped again.

Dollard and Cowley still urged the lingering singer out with it.

— With it, Simon.

— It, Simon.

— Ladies and gentlemen, I am most deeply obliged by your kind solicitations.

— It, Simon.

— I have no money but if you will lend me your attention I shall endeavour to sing to you of a heart bowed down.

By the sandwichbell in screening shadow Lydia, her bronze and rose, a lady's grace, gave and withheld: as in cool glaucous eau de Nil Mina to tankards two her pinnacles of gold.

The harping chords of prelude closed. A chord, longdrawn, expectant, drew a voice away.

When first I saw that form endearing . . .

Richie turned.

— Si Dedalus' voice, he said.

Braintipped, cheek touched with flame, they listened feeling that flow endearing flow over skin limbs human heart soul spine. Bloom signed to Pat, bald Pat is a waiter hard of hearing, to set ajar the door of the bar. The door of the bar. So. That will do. Pat, waiter, waited, waiting to hear, for he was hard of hear by the door.

Sorrow from me seemed to depart.

Through the hush of air a voice sang to them, low, not rain, not leaves in murmur, like no voice of strings or reeds or whatdoyoucallthem dulcimers touching their still ears with words, still hearts of their each his remembered lives. Good, good to hear: sorrow from them each seemed to from both depart when first they heard. When first they saw, lost Richie Poldy, mercy of beauty, heard from a person wouldn't expect it in the least, her first merciful lovesoft oftloved word.

Love that is singing: love's old sweet song. Bloom unwound slowly the elastic band of his packet. Love's old sweet sonnez la gold. Bloom wound a skein round four forkfingers, stretched it, relaxed, and wound it round his troubled double, fourfold, in octave, gyved them fast.

Full of hope and all delighted . . .

Tenors get women by the score. Increase their flow. Throw flower at his feet. When will we meet? My head it simply. Jingle all delighted. He can't sing for tall hats. Your head it simply swurls. Perfumed for him. What perfume does your wife? I want to know. Jing. Stop. Knock. Last look at mirror always before she answers the door. The hall. There? How do you? I do well. There? What? Or? Phial of cachous, kissing comfits, in her satchel. Yes? Hands felt for the opulent.

Alas the voice rose, sighing, changed: loud, full, shining, proud.

But alas, 'twas idle dreaming . . .

Glorious tone he has still. Cork air softer also their brogue. Silly man! Could have made oceans of money. Singing wrong words. Wore out his wife: now sings. But hard to tell. Only the two themselves. If he doesn't break down. Keep a trot for the avenue. His hands and feet sing too. Drink. Nerves overstrung. Must be abstemious to sing. Jenny Lind soup: stock, sage, raw eggs, half pint of cream. For creamy dreamy.

Tenderness it welled: slow, swelling, full it throbbed. That's the chat. Ha, give! Take! Throb, a throb, a pulsing proud erect.

Words? Music? No: it's what's behind.

Bloom looped, unlooped, noded, disnoded.

Bloom. Flood of warm jamjam lickitup secretness flowed to flow in music out, in desire, dark to lick flow invading. Tipping her tepping her tapping her topping her. Tup. Pores to dilate dilating. Tup. The joy the feel the warm the. Tup. To pour o'er sluices pouring gushes. Flood, gush, flow, joygush, tupthrob. Now! Language of love.

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