The Rise of Silas Lapham By William Dean Howells Chapter X


IT was late June, almost July, when Corey took up his life in Boston again, where the summer slips away so easily. If you go out of town early, it seems a very long summer when you come back in October; but if you stay, it passes swiftly, and, seen foreshortened in its flight, seems scarcely a month's length. It has its days of heat, when it is very hot, but for the most part it is cool, with baths of the east wind that seem to saturate the soul with delicious freshness. Then there are stretches of grey westerly weather, when the air is full of the sentiment of early autumn, and the frying, of the grasshopper in the blossomed weed of the vacant lots on the Back Bay is intershot with the carol of crickets; and the yellowing leaf on the long slope of Mt. Vernon Street smites the sauntering observer with tender melancholy. The caterpillar, gorged with the spoil of the lindens on Chestnut, and weaving his own shroud about him in his lodgment on the brick-work, records the passing of summer by mid-July; and if after that comes August, its breath is thick and short, and September is upon the sojourner before he has fairly had time to philosophise the character of the town out of season.

But it must have appeared that its most characteristic feature was the absence of everybody he knew. This was one of the things that commended Boston to Bromfield Corey during the summer; and if his son had any qualms about the life he had entered upon with such vigour, it must have been a relief to him that there was scarcely a soul left to wonder or pity. By the time people got back to town the fact of his connection with the mineral paint man would be an old story, heard afar off with different degrees of surprise, and considered with different degrees of indifference. A man has not reached the age of twenty-six in any community where he was born and reared without having had his capacity pretty well ascertained; and in Boston the analysis is conducted with an unsparing thoroughness which may fitly impress the un-Bostonian mind, darkened by the popular superstition that the Bostonians blindly admire one another. A man's qualities are sifted as closely in Boston as they doubtless were in Florence or Athens; and, if final mercy was shown in those cities because a man was, with all his limitations, an Athenian or Florentine, some abatement might as justly be made in Boston for like reason. Corey's powers had been gauged in college, and he had not given his world reason to think very differently of him since he came out of college. He was rated as an energetic fellow, a little indefinite in aim, with the smallest amount of inspiration that can save a man from being commonplace. If he was not commonplace, it was through nothing remarkable in his mind, which was simply clear and practical, but through some combination of qualities of the heart that made men trust him, and women call him sweet — a word of theirs which conveys otherwise indefinable excellences. Some of the more nervous and excitable said that Tom Corey was as sweet as he could live; but this perhaps meant no more than the word alone. No man ever had a son less like him than Bromfield Corey. If Tom Corey had ever said a witty thing, no one could remember it; and yet the father had never said a witty thing to a more sympathetic listener than his own son. The clear mind which produced nothing but practical results reflected everything with charming lucidity; and it must have been this which endeared Tom Corey to every one who spoke ten words with him. In a city where people have good reason for liking to shine, a man who did not care to shine must be little short of universally acceptable without any other effort for popularity; and those who admired and enjoyed Bromfield Corey loved his son. Yet, when it came to accounting for Tom Corey, as it often did in a community where every one's generation is known to the remotest degrees of cousinship, they could not trace his sweetness to his mother, for neither Anna Bellingham nor any of her family, though they were so many blocks of Wenham ice for purity and rectangularity, had ever had any such savour; and, in fact, it was to his father, whose habit of talk wronged it in himself, that they had to turn for this quality of the son's. They traced to the mother the traits of practicality and common-sense in which he bordered upon the commonplace, and which, when they had dwelt upon them, made him seem hardly worth the close inquiry they had given him.

While the summer wore away he came and went methodically about his business, as if it had been the business of his life, sharing his father's bachelor liberty and solitude, and expecting with equal patience the return of his mother and sisters in the autumn. Once or twice he found time to run down to Mt. Desert and see them; and then he heard how the Philadelphia and New York people were getting in everywhere, and was given reason to regret the house at Nahant which he had urged to be sold. He came back and applied himself to his desk with a devotion that was exemplary rather than necessary; for Lapham made no difficulty about the brief absences which he asked, and set no term to the apprenticeship that Corey was serving in the office before setting off upon that mission to South America in the early winter, for which no date had yet been fixed.

The summer was a dull season for the paint as well as for everything else. Till things should brisk up, as Lapham said, in the fall, he was letting the new house take a great deal of his time. AEsthetic ideas had never been intelligibly presented to him before, and he found a delight in apprehending them that was very grateful to his imaginative architect. At the beginning, the architect had foreboded a series of mortifying defeats and disastrous victories in his encounters with his client; but he had never had a client who could be more reasonably led on from one outlay to another. It appeared that Lapham required but to understand or feel the beautiful effect intended, and he was ready to pay for it. His bull-headed pride was concerned in a thing which the architect made him see, and then he believed that he had seen it himself, perhaps conceived it. In some measure the architect seemed to share his delusion, and freely said that Lapham was very suggestive. Together they blocked out windows here, and bricked them up there; they changed doors and passages; pulled down cornices and replaced them with others of different design; experimented with costly devices of decoration, and went to extravagant lengths in novelties of finish. Mrs. Lapham, beginning with a woman's adventurousness in the unknown region, took fright at the reckless outlay at last, and refused to let her husband pass a certain limit. He tried to make her believe that a far-seeing economy dictated the expense; and that if he put the money into the house, he could get it out any time by selling it. She would not be persuaded.

"I don't want you should sell it. And you've put more money into it now than you'll ever get out again, unless you can find as big a goose to buy it, and that isn't likely. No, sir! You just stop at a hundred thousand, and don't you let him get you a cent beyond. Why, you're perfectly bewitched with that fellow! You've lost your head, Silas Lapham, and if you don't look out you'll lose your money too."

The Colonel laughed; he liked her to talk that way, and promised he would hold up a while.

"But there's no call to feel anxious, Pert. It's only a question what to do with the money. I can reinvest it; but I never had so much of it to spend before."

Back to Top

Take the Quiz

At the conclusion of the novel, which of the following statements is not true?