The girl listened attentively, as if making mental note of the names.
"And Shakespeare," she added. "Don't you like Shakespeare's plays?"
"Oh yes, very much."
"I used to be perfectly crazy about his plays. Don't you think 'Hamlet' is splendid? We had ever so much about Shakespeare. Weren't you perfectly astonished when you found out how many other plays of his there were? I always thought there was nothing but 'Hamlet' and 'Romeo and Juliet' and 'Macbeth' and 'Richard III.' and 'King Lear,' and that one that Robeson and Crane have — oh yes! 'Comedy of Errors.'"
"Those are the ones they usually play," said Corey.
"I presume we shall have to have Scott's works," said Irene, returning to the question of books.
"One of the girls used to think he was GREAT. She was always talking about Scott." Irene made a pretty little amiably contemptuous mouth. "He isn't American, though?" she suggested.
"No," said Corey; "he's Scotch, I believe."
Irene passed her glove over her forehead. "I always get him mixed up with Cooper. Well, papa has got to get them. If we have a library, we have got to have books in it. Pen says it's perfectly ridiculous having one. But papa thinks whatever the architect says is right. He fought him hard enough at first. I don't see how any one can keep the poets and the historians and novelists separate in their mind. Of course papa will buy them if we say so. But I don't see how I'm ever going to tell him which ones." The joyous light faded out of her face and left it pensive.
"Why, if you like," said the young man, taking out his pencil, "I'll put down the names we've been talking about."
He clapped himself on his breast pockets to detect some lurking scrap of paper.
"Will you?" she cried delightedly. "Here! take one of my cards," and she pulled out her card-case. "The carpenter writes on a three-cornered block and puts it into his pocket, and it's so uncomfortable he can't help remembering it. Pen says she's going to adopt the three-cornered-block plan with papa."
"Thank you," said Corey. "I believe I'll use your card." He crossed over to her, and after a moment sat down on the trestle beside her. She looked over the card as he wrote. "Those are the ones we mentioned, but perhaps I'd better add a few others."
"Oh, thank you," she said, when he had written the card full on both sides. "He has got to get them in the nicest binding, too. I shall tell him about their helping to furnish the room, and then he can't object." She remained with the card, looking at it rather wistfully.
Perhaps Corey divined her trouble of mind. "If he will take that to any bookseller, and tell him what bindings he wants, he will fill the order for him."
"Oh, thank you very much," she said, and put the card back into her card-case with great apparent relief. Then she turned her lovely face toward the young man, beaming with the triumph a woman feels in any bit of successful manoeuvring, and began to talk with recovered gaiety of other things, as if, having got rid of a matter annoying out of all proportion to its importance, she was now going to indemnify herself.
Corey did not return to his own trestle. She found another shaving within reach of her parasol, and began poking that with it, and trying to follow it through its folds. Corey watched her a while.
"You seem to have a great passion for playing with shavings," he said. "Is it a new one?"
"I don't know," she said, dropping her eyelids, and keeping on with her effort. She looked shyly aslant at him. "Perhaps you don't approve of playing with shavings?"
"Oh yes, I do. I admire it very much. But it seems rather difficult. I've a great ambition to put my foot on the shaving's tail and hold it for you."
"Well," said the girl.
"Thank you," said the young man. He did so, and now she ran her parasol point easily through it. They looked at each other and laughed. "That was wonderful. Would you like to try another?" he asked.
"No, I thank you," she replied. "I think one will do."
They both laughed again, for whatever reason or no reason, and then the young girl became sober. To a girl everything a young man does is of significance; and if he holds a shaving down with his foot while she pokes through it with her parasol, she must ask herself what he means by it.
"They seem to be having rather a long interview with the carpenter to-day," said Irene, looking vaguely toward the ceiling. She turned with polite ceremony to Corey. "I'm afraid you're letting them keep you. You mustn't."
"Oh no. You're letting me stay," he returned.
She bridled and bit her lip for pleasure. "I presume they will be down before a great while. Don't you like the smell of the wood and the mortar? It's so fresh."