"I suppose you will sit at this window a good deal," said the young man.
"Yes, I think it will be very nice. There's so much more going on than there is in the Square."
"It must be very interesting to you to see the house grow."
"It is. Only it doesn't seem to grow so fast as I expected."
"Why, I'm amazed at the progress your carpenter has made every time I come."
The girl looked down, and then lifting her eyes she said, with a sort of timorous appeal —
"I've been reading that book since you were down at Nantasket."
"Book?" repeated Corey, while she reddened with disappointment. "Oh yes. Middlemarch. Did you like it?"
"I haven't got through with it yet. Pen has finished it."
"What does she think of it?"
"Oh, I think she likes it very well. I haven't heard her talk about it much. Do you like it?"
"Yes; I liked it immensely. But it's several years since I read it."
"I didn't know it was so old. It's just got into the Seaside Library," she urged, with a little sense of injury in her tone.
"Oh, it hasn't been out such a very great while," said Corey politely. "It came a little before DANIEL DERONDA."
The girl was again silent. She followed the curl of a shaving on the floor with the point of her parasol.
"Do you like that Rosamond Vincy?" she asked, without looking up.
Corey smiled in his kind way.
"I didn't suppose she was expected to have any friends. I can't say I liked her. But I don't think I disliked her so much as the author does. She's pretty hard on her good-looking" — he was going to say girls, but as if that might have been rather personal, he said — "people."
"Yes, that's what Pen says. She says she doesn't give her any chance to be good. She says she should have been just as bad as Rosamond if she had been in her place."
The young man laughed. "Your sister is very satirical, isn't she?"
"I don't know," said Irene, still intent upon the convolutions of the shaving. "She keeps us laughing. Papa thinks there's nobody that can talk like her." She gave the shaving a little toss from her, and took the parasol up across her lap. The unworldliness of the Lapham girls did not extend to their dress; Irene's costume was very stylish, and she governed her head and shoulders stylishly. "We are going to have the back room upstairs for a music-room and library," she said abruptly.
"Yes?" returned Corey. "I should think that would be charming."
"We expected to have book-cases, but the architect wants to build the shelves in."
The fact seemed to be referred to Corey for his comment.
"It seems to me that would be the best way. They'll look like part of the room then. You can make them low, and hang your pictures above them."
"Yes, that's what he said." The girl looked out of the window in adding, "I presume with nice bindings it will look very well."
"Oh, nothing furnishes a room like books."
"No. There will have to be a good many of them."
"That depends upon the size of your room and the number of your shelves."
"Oh, of course! I presume," said Irene, thoughtfully, "we shall have to have Gibbon."
"If you want to read him," said Corey, with a laugh of sympathy for an imaginable joke.
"We had a great deal about him at school. I believe we had one of his books. Mine's lost, but Pen will remember."
The young man looked at her, and then said, seriously, "You'll want Greene, of course, and Motley, and Parkman."
"Yes. What kind of writers are they?"
"They're historians too."
"Oh yes; I remember now. That's what Gibbon was. Is it Gibbon or Gibbons?"
The young man decided the point with apparently superfluous delicacy. "Gibbon, I think."
"There used to be so many of them," said Irene gaily. "I used to get them mixed up with each other, and I couldn't tell them from the poets. Should you want to have poetry?"
"Yes; I suppose some edition of the English poets."
"We don't any of us like poetry. Do you like it?"
"I'm afraid I don't very much," Corey owned. "But, of course, there was a time when Tennyson was a great deal more to me than he is now."
"We had something about him at school too. I think I remember the name. I think we ought to have ALL the American poets."
"Well, not all. Five or six of the best: you want Longfellow and Bryant and Whittier and Holmes and Emerson and Lowell."