The Portrait of a Lady By Henry James Chapters 49-51

"To you he has been faithful? Well, it depends, my dear, on what you call faithful. When he married you he was no longer the lover of another woman — SUCH a lover as he had been, cara mia, between their risks and their precautions, while the thing lasted! That state of affairs had passed away; the lady had repented, or at all events, for reasons of her own, drawn back: she had always had, too, a worship of appearances so intense that even Osmond himself had got bored with it. You may therefore imagine what it was — when he couldn't patch it on conveniently to ANY of those he goes in for! But the whole past was between them."

"Yes," Isabel mechanically echoed, "the whole past is between them."

"Ah, this later past is nothing. But for six or seven years, as I say, they had kept it up."

She was silent a little. "Why then did she want him to marry me?"

"Ah my dear, that's her superiority! Because you had money; and because she believed you would be good to Pansy."

"Poor woman — and Pansy who doesn't like her!" cried Isabel.

"That's the reason she wanted some one whom Pansy would like. She knows it; she knows everything."

"Will she know that you've told me this?"

"That will depend upon whether you tell her. She's prepared for it, and do you know what she counts upon for her defence? On your believing that I lie. Perhaps you do; don't make yourself uncomfortable to hide it. Only, as it happens this time, I don't. I've told plenty of little idiotic fibs, but they've never hurt any one but myself."

Isabel sat staring at her companion's story as at a bale of fantastic wares some strolling gypsy might have unpacked on the carpet at her feet. "Why did Osmond never marry her?" she finally asked.

"Because she had no money." The Countess had an answer for everything, and if she lied she lied well. "No one knows, no one has ever known, what she lives on, or how she has got all those beautiful things. I don't believe Osmond himself knows. Besides, she wouldn't have married him."

"How can she have loved him then?"

"She doesn't love him in that way. She did at first, and then, I suppose, she would have married him; but at that time her husband was living. By the time M. Merle had rejoined — I won't say his ancestors, because he never had any — her relations with Osmond had changed, and she had grown more ambitious. Besides, she has never had, about him," the Countess went on, leaving Isabel to wince for it so tragically afterwards — "she HAD never had, what you might call any illusions of INTELLIGENCE. She hoped she might marry a great man; that has always been her idea. She has waited and watched and plotted and prayed; but she has never succeeded. I don't call Madame Merle a success, you know. I don't know what she may accomplish yet, but at present she has very little to show. The only tangible result she has ever achieved — except, of course, getting to know every one and staying with them free of expense — has been her bringing you and Osmond together. Oh, she did that, my dear; you needn't look as if you doubted it. I've watched them for years; I know everything — everything. I'm thought a great scatterbrain, but I've had enough application of mind to follow up those two. She hates me, and her way of showing it is to pretend to be for ever defending me. When people say I've had fifteen lovers she looks horrified and declares that quite half of them were never proved. She has been afraid of me for years, and she has taken great comfort in the vile, false things people have said about me. She has been afraid I'd expose her, and she threatened me one day when Osmond began to pay his court to you. It was at his house in Florence; do you remember that afternoon when she brought you there and we had tea in the garden? She let me know then that if I should tell tales two could play at that game. She pretends there's a good deal more to tell about me than about her. It would be an interesting comparison! I don't care a fig what she may say, simply because I know YOU don't care a fig. You can't trouble your head about me less than you do already. So she may take her revenge as she chooses; I don't think she'll frighten you very much. Her great idea has been to be tremendously irreproachable — a kind of full-blown lily — the incarnation of propriety. She has always worshipped that god. There should be no scandal about Caesar's wife, you know; and, as I say, she has always hoped to marry Caesar. That was one reason she wouldn't marry Osmond; the fear that on seeing her with Pansy people would put things together — would even see a resemblance. She has had a terror lest the mother should betray herself. She has been awfully careful; the mother has never done so."

"Yes, yes, the mother has done so," said Isabel, who had listened to all this with a face more and more wan. "She betrayed herself to me the other day, though I didn't recognise her. There appeared to have been a chance of Pansy's making a great marriage, and in her disappointment at its not coming off she almost dropped the mask."

"Ah, that's where she'd dish herself!" cried the Countess. "She has failed so dreadfully that she's determined her daughter shall make it up."

Isabel started at the words "her daughter," which her guest threw off so familiarly. "It seems very wonderful," she murmured; and in this bewildering impression she had almost lost her sense of being personally touched by the story.

"Now don't go and turn against the poor innocent child!" the Countess went on. "She's very nice, in spite of her deplorable origin. I myself have liked Pansy; not, naturally, because she was hers, but because she had become yours."

"Yes, she has become mine. And how the poor woman must have suffered at seeing me — !" Isabel exclaimed while she flushed at the thought.

"I don't believe she has suffered; on the contrary, she has enjoyed. Osmond's marriage has given his daughter a great little lift. Before that she lived in a hole. And do you know what the mother thought? That you might take such a fancy to the child that you'd do something for her. Osmond of course could never give her a portion. Osmond was really extremely poor; but of course you know all about that. Ah, my dear," cried the Countess, "why did you ever inherit money?" She stopped a moment as if she saw something singular in Isabel's face. "Don't tell me now that you'll give her a dot. You're capable of that, but I would refuse to believe it. Don't try to be too good. Be a little easy and natural and nasty; feel a little wicked, for the comfort of it, once in your life!"

"It's very strange. I suppose I ought to know, but I'm sorry," Isabel said. "I'm much obliged to you."

"Yes, you seem to be!" cried the Countess with a mocking laugh. "Perhaps you are — perhaps you're not. You don't take it as I should have thought."

"How should I take it?" Isabel asked.

"Well, I should say as a woman who has been made use of." Isabel made no answer to this; she only listened, and the Countess went on. "They've always been bound to each other; they remained so even after she broke off — or HE did. But he has always been more for her than she has been for him. When their little carnival was over they made a bargain that each should give the other complete liberty, but that each should also do everything possible to help the other on. You may ask me how I know such a thing as that. I know it by the way they've behaved. Now see how much better women are than men! She has found a wife for Osmond, but Osmond has never lifted a little finger for HER. She has worked for him, plotted for him, suffered for him; she has even more than once found money for him; and the end of it is that he's tired of her. She's an old habit; there are moments when he needs her, but on the whole he wouldn't miss her if she were removed. And, what's more, today she knows it. So you needn't be jealous!" the Countess added humorously.

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