It was with these thoughts that he went again to Mrs. Osmond's, Mrs. Osmond having an "evening" — she had taken the Thursday of each week — when his presence could be accounted for on general principles of civility. The object of Mr. Rosier's well-regulated affection dwelt in a high house in the very heart of Rome; a dark and massive structure overlooking a sunny piazzetta in the neighbourhood of the Farnese Palace. In a palace, too, little Pansy lived — a palace by Roman measure, but a dungeon to poor Rosier's apprehensive mind. It seemed to him of evil omen that the young lady he wished to marry, and whose fastidious father he doubted of his ability to conciliate, should be immured in a kind of domestic fortress, a pile which bore a stern old Roman name, which smelt of historic deeds, of crime and craft and violence, which was mentioned in "Murray" and visited by tourists who looked, on a vague survey, disappointed and depressed, and which had frescoes by Caravaggio in the piano nobile and a row of mutilated statues and dusty urns in the wide, nobly-arched loggia overhanging the damp court where a fountain gushed out of a mossy niche. In a less preoccupied frame of mind he could have done justice to the Palazzo Roccanera; he could have entered into the sentiment of Mrs. Osmond, who had once told him that on settling themselves in Rome she and her husband had chosen this habitation for the love of local colour. It had local colour enough, and though he knew less about architecture than about Limoges enamels he could see that the proportions of the windows and even the details of the cornice had quite the grand air. But Rosier was haunted by the conviction that at picturesque periods young girls had been shut up there to keep them from their true loves, and hen, under the threat of being thrown into convents, had been forced into unholy marriages. There was one point, however, to which he always did justice when once he found himself in Mrs. Osmond's warm, rich-looking reception-rooms, which were on the second floor. He acknowledged that these people were very strong in "good things." It was a taste of Osmond's own — not at all of hers; this she had told him the first time he came to the house, when, after asking himself for a quarter of an hour whether they had even better "French" than he in Paris, he was obliged on the spot to admit that they had, very much, and vanquished his envy, as a gentleman should, to the point of expressing to his hostess his pure admiration of her treasures. He learned from Mrs. Osmond that her husband had made a large collection before their marriage and that, though he had annexed a number of fine pieces within the last three years, he had achieved his greatest finds at a time when he had not the advantage of her advice. Rosier interpreted this information according to principles of his own. For "advice" read "cash," he said to himself; and the fact that Gilbert Osmond had landed his highest prizes during his impecunious season confirmed his most cherished doctrine — the doctrine that a collector may freely be poor if he be only patient. In general, when Rosier presented himself on a Thursday evening, his first recognition was for the walls of the saloon; there were three or four objects his eyes really yearned for. But after his talk with Madame Merle he felt the extreme seriousness of his position; and now, when he came in, he looked about for the daughter of the house with such eagerness as might be permitted a gentleman whose smile, as he crossed a threshold, always took everything comfortable for granted.