I ran home to tell grandmother that Lena Lingard had come to town. We were glad of it, for she had a hard life on the farm.
Lena lived in the Norwegian settlement west of Squaw Creek, and she used to herd her father's cattle in the open country between his place and the Shimerdas'. Whenever we rode over in that direction we saw her out among her cattle, bareheaded and barefooted, scantily dressed in tattered clothing, always knitting as she watched her herd. Before I knew Lena, I thought of her as something wild, that always lived on the prairie, because I had never seen her under a roof. Her yellow hair was burned to a ruddy thatch on her head; but her legs and arms, curiously enough, in spite of constant exposure to the sun, kept a miraculous whiteness which somehow made her seem more undressed than other girls who went scantily clad. The first time I stopped to talk to her, I was astonished at her soft voice and easy, gentle ways. The girls out there usually got rough and mannish after they went to herding. But Lena asked Jake and me to get off our horses and stay awhile, and behaved exactly as if she were in a house and were accustomed to having visitors. She was not embarrassed by her ragged clothes, and treated us as if we were old acquaintances. Even then I noticed the unusual colour of her eyes — a shade of deep violet — and their soft, confiding expression.
Chris Lingard was not a very successful farmer, and he had a large family. Lena was always knitting stockings for little brothers and sisters, and even the Norwegian women, who disapproved of her, admitted that she was a good daughter to her mother. As Tony said, she had been talked about. She was accused of making Ole Benson lose the little sense he had — and that at an age when she should still have been in pinafores.
Ole lived in a leaky dugout somewhere at the edge of the settlement. He was fat and lazy and discouraged, and bad luck had become a habit with him. After he had had every other kind of misfortune, his wife, 'Crazy Mary,' tried to set a neighbour's barn on fire, and was sent to the asylum at Lincoln. She was kept there for a few months, then escaped and walked all the way home, nearly two hundred miles, travelling by night and hiding in barns and haystacks by day. When she got back to the Norwegian settlement, her poor feet were as hard as hoofs. She promised to be good, and was allowed to stay at home — though everyone realized she was as crazy as ever, and she still ran about barefooted through the snow, telling her domestic troubles to her neighbours.
Not long after Mary came back from the asylum, I heard a young Dane, who was helping us to thresh, tell Jake and Otto that Chris Lingard's oldest girl had put Ole Benson out of his head, until he had no more sense than his crazy wife. When Ole was cultivating his corn that summer, he used to get discouraged in the field, tie up his team, and wander off to wherever Lena Lingard was herding. There he would sit down on the drawside and help her watch her cattle. All the settlement was talking about it. The Norwegian preacher's wife went to Lena and told her she ought not to allow this; she begged Lena to come to church on Sundays. Lena said she hadn't a dress in the world any less ragged than the one on her back. Then the minister's wife went through her old trunks and found some things she had worn before her marriage.
The next Sunday Lena appeared at church, a little late, with her hair done up neatly on her head, like a young woman, wearing shoes and stockings, and the new dress, which she had made over for herself very becomingly. The congregation stared at her. Until that morning no one — unless it were Ole — had realized how pretty she was, or that she was growing up. The swelling lines of her figure had been hidden under the shapeless rags she wore in the fields. After the last hymn had been sung, and the congregation was dismissed, Ole slipped out to the hitch-bar and lifted Lena on her horse. That, in itself, was shocking; a married man was not expected to do such things. But it was nothing to the scene that followed. Crazy Mary darted out from the group of women at the church door, and ran down the road after Lena, shouting horrible threats.
'Look out, you Lena Lingard, look out! I'll come over with a corn-knife one day and trim some of that shape off you. Then you won't sail round so fine, making eyes at the men!...'
The Norwegian women didn't know where to look. They were formal housewives, most of them, with a severe sense of decorum. But Lena Lingard only laughed her lazy, good-natured laugh and rode on, gazing back over her shoulder at Ole's infuriated wife.
The time came, however, when Lena didn't laugh. More than once Crazy Mary chased her across the prairie and round and round the Shimerdas' cornfield. Lena never told her father; perhaps she was ashamed; perhaps she was more afraid of his anger than of the corn-knife. I was at the Shimerdas' one afternoon when Lena came bounding through the red grass as fast as her white legs could carry her. She ran straight into the house and hid in Ántonia's feather-bed. Mary was not far behind: she came right up to the door and made us feel how sharp her blade was, showing us very graphically just what she meant to do to Lena. Mrs. Shimerda, leaning out of the window, enjoyed the situation keenly, and was sorry when Ántonia sent Mary away, mollified by an apronful of bottle-tomatoes. Lena came out from Tony's room behind the kitchen, very pink from the heat of the feathers, but otherwise calm. She begged Ántonia and me to go with her, and help get her cattle together; they were scattered and might be gorging themselves in somebody's cornfield.
'Maybe you lose a steer and learn not to make somethings with your eyes at married men,' Mrs. Shimerda told her hectoringly.
Lena only smiled her sleepy smile. 'I never made anything to him with my eyes. I can't help it if he hangs around, and I can't order him off. It ain't my prairie.'