The Idiot By Fyodor Dostoevsky Part I: Chapters 5-7

"You are not very modest!" said she.

"But how brave you are!" said he. "You are laughing, and I — that man's tale impressed me so much, that I dreamt of it afterwards; yes, I dreamt of those five minutes . . . "

He looked at his listeners again with that same serious, searching expression.

"You are not angry with me?" he asked suddenly, and with a kind of nervous hurry, although he looked them straight in the face.

"Why should we be angry?" they cried.

"Only because I seem to be giving you a lecture, all the time!"

At this they laughed heartily.

"Please don't be angry with me," continued the prince. "I know very well that I have seen less of life than other people, and have less knowledge of it. I must appear to speak strangely sometimes . . . "

He said the last words nervously.

"You say you have been happy, and that proves you have lived, not less, but more than other people. Why make all these excuses?" interrupted Aglaya in a mocking tone of voice. "Besides, you need not mind about lecturing us; you have nothing to boast of. With your quietism, one could live happily for a hundred years at least. One might show you the execution of a felon, or show you one's little finger. You could draw a moral from either, and be quite satisfied. That sort of existence is easy enough."

"I can't understand why you always fly into a temper," said Mrs. Epanchin, who had been listening to the conversation and examining the faces of the speakers in turn. "I do not understand what you mean. What has your little finger to do with it? The prince talks well, though he is not amusing. He began all right, but now he seems sad."

"Never mind, mamma! Prince, I wish you had seen an execution," said Aglaya. "I should like to ask you a question about that, if you had."

"I have seen an execution," said the prince.

"You have!" cried Aglaya. "I might have guessed it. That's a fitting crown to the rest of the story. If you have seen an execution, how can you say you lived happily all the while?"

"But is there capital punishment where you were?" asked Adelaida.

"I saw it at Lyons. Schneider took us there, and as soon as we arrived we came in for that."

"Well, and did you like it very much? Was it very edifying and instructive?" asked Aglaya.

"No, I didn't like it at all, and was ill after seeing it; but I confess I stared as though my eyes were fixed to the sight. I could not tear them away."

"I, too, should have been unable to tear my eyes away," said Aglaya.

"They do not at all approve of women going to see an execution there. The women who do go are condemned for it afterwards in the newspapers."

"That is, by contending that it is not a sight for women they admit that it is a sight for men. I congratulate them on the deduction. I suppose you quite agree with them, prince?"

"Tell us about the execution," put in Adelaida.

"I would much rather not, just now," said the prince, a little disturbed and frowning slightly.

"You don't seem to want to tell us," said Aglaya, with a mocking air.

"No, — the thing is, I was telling all about the execution a little while ago, and — "

"Whom did you tell about it?"

"The man-servant, while I was waiting to see the general."

"Our man-servant?" exclaimed several voices at once.

"Yes, the one who waits in the entrance hall, a greyish, red-faced man — "

"The prince is clearly a democrat," remarked Aglaya.

"Well, if you could tell Aleksey about it, surely you can tell us too."

"I do so want to hear about it," repeated Adelaida.

"Just now, I confess," began the prince, with more animation, "when you asked me for a subject for a picture, I confess I had serious thoughts of giving you one. I thought of asking you to draw the face of a criminal, one minute before the fall of the guillotine, while the wretched man is still standing on the scaffold, preparatory to placing his neck on the block."

"What, his face? only his face?" asked Adelaida. "That would be a strange subject indeed. And what sort of a picture would that make?"

"Oh, why not?" the prince insisted, with some warmth. "When I was in Basle I saw a picture very much in that style — I should like to tell you about it; I will some time or other; it struck me very forcibly."

"Oh, you shall tell us about the Basle picture another time; now we must have all about the execution," said Adelaida. "Tell us about that face as; it appeared to your imagination-how should it be drawn? — just the face alone, do you mean?"

"It was just a minute before the execution," began the prince, readily, carried away by the recollection and evidently forgetting everything else in a moment; "just at the instant when he stepped off the ladder on to the scaffold. He happened to look in my direction: I saw his eyes and understood all, at once — but how am I to describe it? I do so wish you or somebody else could draw it, you, if possible. I thought at the time what a picture it would make. You must imagine all that went before, of course, all — all. He had lived in the prison for some time and had not expected that the execution would take place for at least a week yet — he had counted on all the formalities and so on taking time; but it so happened that his papers had been got ready quickly. At five o'clock in the morning he was asleep — it was October, and at five in the morning it was cold and dark. The governor of the prison comes in on tip-toe and touches the sleeping man's shoulder gently. He starts up. 'What is it?' he says. 'The execution is fixed for ten o'clock.' He was only just awake, and would not believe at first, but began to argue that his papers would not be out for a week, and so on. When he was wide awake and realized the truth, he became very silent and argued no more — so they say; but after a bit he said: 'It comes very hard on one so suddenly' and then he was silent again and said nothing.

"The three or four hours went by, of course, in necessary preparations — the priest, breakfast, (coffee, meat, and some wine they gave him; doesn't it seem ridiculous?) And yet I believe these people give them a good breakfast out of pure kindness of heart, and believe that they are doing a good action. Then he is dressed, and then begins the procession through the town to the scaffold. I think he, too, must feel that he has an age to live still while they cart him along. Probably he thought, on the way, 'Oh, I have a long, long time yet. Three streets of life yet! When we've passed this street there'll be that other one; and then that one where the baker's shop is on the right; and when shall we get there? It's ages, ages!' Around him are crowds shouting, yelling — ten thousand faces, twenty thousand eyes. All this has to be endured, and especially the thought: 'Here are ten thousand men, and not one of them is going to be executed, and yet I am to die.' Well, all that is preparatory.

"At the scaffold there is a ladder, and just there he burst into tears — and this was a strong man, and a terribly wicked one, they say! There was a priest with him the whole time, talking; even in the cart as they drove along, he talked and talked. Probably the other heard nothing; he would begin to listen now and then, and at the third word or so he had forgotten all about it.

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At the end of Part III, Nastasya and Rogozhin each ask Myshkin the same question. What was it?