The House of the Seven Gables By Nathaniel Hawthorne Chapters 12-14

"I shall not bandy words with you," observed the foreign-bred Mr. Pyncheon, with haughty composure. "Nor will it become me to resent any rudeness towards either my grandfather or myself. A gentleman, before seeking intercourse with a person of your station and habits, will first consider whether the urgency of the end may compensate for the disagreeableness of the means. It does so in the present instance."

He then renewed the conversation, and made great pecuniary offers to the carpenter, in case the latter should give information leading to the discovery of the lost document, and the consequent success of the Eastern claim. For a long time Matthew Maule is said to have turned a cold ear to these propositions. At last, however, with a strange kind of laugh, he inquired whether Mr. Pyncheon would make over to him the old wizard's homestead-ground, together with the House of the Seven Gables, now standing on it, in requital of the documentary evidence so urgently required.

The wild, chimney-corner legend (which, without copying all its extravagances, my narrative essentially follows) here gives an account of some very strange behavior on the part of Colonel Pyncheon's portrait. This picture, it must be understood, was supposed to be so intimately connected with the fate of the house, and so magically built into its walls, that, if once it should be removed, that very instant the whole edifice would come thundering down in a heap of dusty ruin. All through the foregoing conversation between Mr. Pyncheon and the carpenter, the portrait had been frowning, clenching its fist, and giving many such proofs of excessive discomposure, but without attracting the notice of either of the two colloquists. And finally, at Matthew Maule's audacious suggestion of a transfer of the seven-gabled structure, the ghostly portrait is averred to have lost all patience, and to have shown itself on the point of descending bodily from its frame. But such incredible incidents are merely to be mentioned aside.

"Give up this house!" exclaimed Mr. Pyncheon, in amazement at the proposal. "Were I to do so, my grandfather would not rest quiet in his grave!"

"He never has, if all stories are true," remarked the carpenter composedly. "But that matter concerns his grandson more than it does Matthew Maule. I have no other terms to propose."

Impossible as he at first thought it to comply with Maule's conditions, still, on a second glance, Mr. Pyncheon was of opinion that they might at least be made matter of discussion. He himself had no personal attachment for the house, nor any pleasant associations connected with his childish residence in it. On the contrary, after seven-and-thirty years, the presence of his dead grandfather seemed still to pervade it, as on that morning when the affrighted boy had beheld him, with so ghastly an aspect, stiffening in his chair. His long abode in foreign parts, moreover, and familiarity with many of the castles and ancestral halls of England, and the marble palaces of Italy, had caused him to look contemptuously at the House of the Seven Gables, whether in point of splendor or convenience. It was a mansion exceedingly inadequate to the style of living which it would be incumbent on Mr. Pyncheon to support, after realizing his territorial rights. His steward might deign to occupy it, but never, certainly, the great landed proprietor himself. In the event of success, indeed, it was his purpose to return to England; nor, to say the truth, would he recently have quitted that more congenial home, had not his own fortune, as well as his deceased wife's, begun to give symptoms of exhaustion. The Eastern claim once fairly settled, and put upon the firm basis of actual possession, Mr. Pyncheon's property — to be measured by miles, not acres — would be worth an earldom, and would reasonably entitle him to solicit, or enable him to purchase, that elevated dignity from the British monarch. Lord Pyncheon! — or the Earl of Waldo! — how could such a magnate be expected to contract his grandeur within the pitiful compass of seven shingled gables?

In short, on an enlarged view of the business, the carpenter's terms appeared so ridiculously easy that Mr. Pyncheon could scarcely forbear laughing in his face. He was quite ashamed, after the foregoing reflections, to propose any diminution of so moderate a recompense for the immense service to be rendered.

"I consent to your proposition, Maule!" cried he. "Put me in possession of the document essential to establish my rights, and the House of the Seven Gables is your own!"

According to some versions of the story, a regular contract to the above effect was drawn up by a lawyer, and signed and sealed in the presence of witnesses. Others say that Matthew Maule was contented with a private written agreement, in which Mr. Pyncheon pledged his honor and integrity to the fulfillment of the terms concluded upon. The gentleman then ordered wine, which he and the carpenter drank together, in confirmation of their bargain. During the whole preceding discussion and subsequent formalities, the old Puritan's portrait seems to have persisted in its shadowy gestures of disapproval; but without effect, except that, as Mr. Pyncheon set down the emptied glass, he thought he beheld his grandfather frown.

"This sherry is too potent a wine for me; it has affected my brain already," he observed, after a somewhat startled look at the picture. "On returning to Europe, I shall confine myself to the more delicate vintages of Italy and France, the best of which will not bear transportation."

"My Lord Pyncheon may drink what wine he will, and wherever he pleases," replied the carpenter, as if he had been privy to Mr. Pyncheon's ambitious projects. "But first, sir, if you desire tidings of this lost document, I must crave the favor of a little talk with your fair daughter Alice."

"You are mad, Maule!" exclaimed Mr. Pyncheon haughtily; and now, at last, there was anger mixed up with his pride. "What can my daughter have to do with a business like this?"

Indeed, at this new demand on the carpenter's part, the proprietor of the Seven Gables was even more thunder-struck than at the cool proposition to surrender his house. There was, at least, an assignable motive for the first stipulation; there appeared to be none whatever for the last. Nevertheless, Matthew Maule sturdily insisted on the young lady being summoned, and even gave her father to understand, in a mysterious kind of explanation, — which made the matter considerably darker than it looked before, — that the only chance of acquiring the requisite knowledge was through the clear, crystal medium of a pure and virgin intelligence, like that of the fair Alice. Not to encumber our story with Mr. Pyncheon's scruples, whether of conscience, pride, or fatherly affection, he at length ordered his daughter to be called. He well knew that she was in her chamber, and engaged in no occupation that could not readily be laid aside; for, as it happened, ever since Alice's name had been spoken, both her father and the carpenter had heard the sad and sweet music of her harpsichord, and the airier melancholy of her accompanying voice.

So Alice Pyncheon was summoned, and appeared. A portrait of this young lady, painted by a Venetian artist, and left by her father in England, is said to have fallen into the hands of the present Duke of Devonshire, and to be now preserved at Chatsworth; not on account of any associations with the original, but for its value as a picture, and the high character of beauty in the countenance. If ever there was a lady born, and set apart from the world's vulgar mass by a certain gentle and cold stateliness, it was this very Alice Pyncheon. Yet there was the womanly mixture in her; the tenderness, or, at least, the tender capabilities. For the sake of that redeeming quality, a man of generous nature would have forgiven all her pride, and have been content, almost, to lie down in her path, and let Alice set her slender foot upon his heart. All that he would have required was simply the acknowledgment that he was indeed a man, and a fellow-being, moulded of the same elements as she.

As Alice came into the room, her eyes fell upon the carpenter, who was standing near its centre, clad in green woollen jacket, a pair of loose breeches, open at the knees, and with a long pocket for his rule, the end of which protruded; it was as proper a mark of the artisan's calling as Mr. Pyncheon's full-dress sword of that gentleman's aristocratic pretensions. A glow of artistic approval brightened over Alice Pyncheon's face; she was struck with admiration — which she made no attempt to conceal — of the remarkable comeliness, strength, and energy of Maule's figure. But that admiring glance (which most other men, perhaps, would have cherished as a sweet recollection all through life) the carpenter never forgave. It must have been the devil himself that made Maule so subtile in his preception.

"Does the girl look at me as if I were a brute beast?" thought he, setting his teeth. "She shall know whether I have a human spirit; and the worse for her, if it prove stronger than her own!"

"My father, you sent for me," said Alice, in her sweet and harp-like voice. "But, if you have business with this young man, pray let me go again. You know I do not love this room, in spite of that Claude, with which you try to bring back sunny recollections."

"Stay a moment, young lady, if you please!" said Matthew Maule. "My business with your father is over. With yourself, it is now to begin!"

Alice looked towards her father, in surprise and inquiry.

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