Selden pushed his hat back and took a side-glance at her. "Success — what is success? I shall be interested to have your definition."
"Success?" She hesitated. "Why, to get as much as one can out of life, I suppose. It's a relative quality, after all. Isn't that your idea of it?"
"My idea of it? God forbid!" He sat up with sudden energy, resting his elbows on his knees and staring out upon the mellow fields. "My idea of success," he said, "is personal freedom."
"Freedom? Freedom from worries?"
"From everything — from money, from poverty, from ease and anxiety, from all the material accidents. To keep a kind of republic of the spirit — that's what I call success."
She leaned forward with a responsive flash. "I know — I know — it's strange; but that's just what I've been feeling today."
He met her eyes with the latent sweetness of his. "Is the feeling so rare with you?" he said.
She blushed a little under his gaze. "You think me horribly sordid, don't you? But perhaps it's rather that I never had any choice. There was no one, I mean, to tell me about the republic of the spirit."
"There never is — it's a country one has to find the way to one's self."
"But I should never have found my way there if you hadn't told me."
"Ah, there are sign-posts — but one has to know how to read them."
"Well, I have known, I have known!" she cried with a glow of eagerness. "Whenever I see you, I find myself spelling out a letter of the sign — and yesterday — last evening at dinner — I suddenly saw a little way into your republic."
Selden was still looking at her, but with a changed eye. Hitherto he had found, in her presence and her talk, the aesthetic amusement which a reflective man is apt to seek in desultory intercourse with pretty women. His attitude had been one of admiring spectatorship, and he would have been almost sorry to detect in her any emotional weakness which should interfere with the fulfilment of her aims. But now the hint of this weakness had become the most interesting thing about her. He had come on her that morning in a moment of disarray; her face had been pale and altered, and the diminution of her beauty had lent her a poignant charm. THAT IS HOW SHE LOOKS WHEN SHE IS ALONE! had been his first thought; and the second was to note in her the change which his coming produced. It was the danger-point of their intercourse that he could not doubt the spontaneity of her liking. From whatever angle he viewed their dawning intimacy, he could not see it as part of her scheme of life; and to be the unforeseen element in a career so accurately planned was stimulating even to a man who had renounced sentimental experiments.
"Well," he said, "did it make you want to see more? Are you going to become one of us?"
He had drawn out his cigarettes as he spoke, and she reached her hand toward the case.
"Oh, do give me one — I haven't smoked for days!"
"Why such unnatural abstinence? Everybody smokes at Bellomont."
"Yes — but it is not considered becoming in a JEUNE FILLE A MARIER; and at the present moment I am a JEUNE FILLE A MARIER."
"Ah, then I'm afraid we can't let you into the republic."
"Why not? Is it a celibate order?"
"Not in the least, though I'm bound to say there are not many married people in it. But you will marry some one very rich, and it's as hard for rich people to get into as the kingdom of heaven."
"That's unjust, I think, because, as I understand it, one of the conditions of citizenship is not to think too much about money, and the only way not to think about money is to have a great deal of it."
"You might as well say that the only way not to think about air is to have enough to breathe. That is true enough in a sense; but your lungs are thinking about the air, if you are not. And so it is with your rich people — they may not be thinking of money, but they're breathing it all the while; take them into another element and see how they squirm and gasp!"
Lily sat gazing absently through the blue rings of her cigarette-smoke.
"It seems to me," she said at length, "that you spend a good deal of your time in the element you disapprove of."
Selden received this thrust without discomposure. "Yes; but I have tried to remain amphibious: it's all right as long as one's lungs can work in another air. The real alchemy consists in being able to turn gold back again into something else; and that's the secret that most of your friends have lost."
Lily mused. "Don't you think," she rejoined after a moment, "that the people who find fault with society are too apt to regard it as an end and not a means, just as the people who despise money speak as if its only use were to be kept in bags and gloated over? Isn't it fairer to look at them both as opportunities, which may be used either stupidly or intelligently, according to the capacity of the user?"
"That is certainly the sane view; but the queer thing about society is that the people who regard it as an end are those who are in it, and not the critics on the fence. It's just the other way with most shows — the audience may be under the illusion, but the actors know that real life is on the other side of the footlights. The people who take society as an escape from work are putting it to its proper use; but when it becomes the thing worked for it distorts all the relations of life." Selden raised himself on his elbow. "Good heavens!" he went on, "I don't underrate the decorative side of life. It seems to me the sense of splendour has justified itself by what it has produced. The worst of it is that so much human nature is used up in the process. If we're all the raw stuff of the cosmic effects, one would rather be the fire that tempers a sword than the fish that dyes a purple cloak. And a society like ours wastes such good material in producing its little patch of purple! Look at a boy like Ned Silverton — he's really too good to be used to refurbish anybody's social shabbiness. There's a lad just setting out to discover the universe: isn't it a pity he should end by finding it in Mrs. Fisher's drawing-room?"
"Ned is a dear boy, and I hope he will keep his illusions long enough to write some nice poetry about them; but do you think it is only in society that he is likely to lose them?"
Selden answered her with a shrug. "Why do we call all our generous ideas illusions, and the mean ones truths? Isn't it a sufficient condemnation of society to find one's self accepting such phraseology? I very nearly acquired the jargon at Silverton's age, and I know how names can alter the colour of beliefs."
She had never heard him speak with such energy of affirmation. His habitual touch was that of the eclectic, who lightly turns over and compares; and she was moved by this sudden glimpse into the laboratory where his faiths were formed.
"Ah, you are as bad as the other sectarians," she exclaimed; "why do you call your republic a republic? It is a closed corporation, and you create arbitrary objections in order to keep people out."
"It is not MY republic; if it were, I should have a COUP D'ETAT and seat you on the throne."
"Whereas, in reality, you think I can never even get my foot across the threshold? Oh, I understand what you mean. You despise my ambitions — you think them unworthy of me!"
Selden smiled, but not ironically. "Well, isn't that a tribute? I think them quite worthy of most of the people who live by them."
She had turned to gaze on him gravely. "But isn't it possible that, if I had the opportunities of these people, I might make a better use of them? Money stands for all kinds of things — its purchasing quality isn't limited to diamonds and motor-cars."
"Not in the least: you might expiate your enjoyment of them by founding a hospital."
"But if you think they are what I should really enjoy, you must think my ambitions are good enough for me."
Selden met this appeal with a laugh. "Ah, my dear Miss Bart, I am not divine Providence, to guarantee your enjoying the things you are trying to get!"
"Then the best you can say for me is, that after struggling to get them I probably shan't like them?" She drew a deep breath. "What a miserable future you foresee for me!"
"Well — have you never foreseen it for yourself?" The slow colour rose to her cheek, not a blush of excitement but drawn from the deep wells of feeling; it was as if the effort of her spirit had produced it.
"Often and often," she said. "But it looks so much darker when you show it to me!"
He made no answer to this exclamation, and for a while they sat silent, while something throbbed between them in the wide quiet of the air.
But suddenly she turned on him with a kind of vehemence. "Why do you do this to me?" she cried. "Why do you make the things I have chosen seem hateful to me, if you have nothing to give me instead?"
The words roused Selden from the musing fit into which he had fallen. He himself did not know why he had led their talk along such lines; it was the last use he would have imagined himself making of an afternoon's solitude with Miss Bart. But it was one of those moments when neither seemed to speak deliberately, when an indwelling voice in each called to the other across unsounded depths of feeling.
"No, I have nothing to give you instead," he said, sitting up and turning so that he faced her. "If I had, it should be yours, you know."