Thus saying, Mrs. Sparsit, with her Roman features like a medal struck to commemorate her scorn of Mr. Bounderby, surveyed him fixedly from head to foot, swept disdainfully past him, and ascended the staircase. Mr. Bounderby closed the door, and stood before the fire; projecting himself after his old explosive manner into his portrait — and into futurity.
Into how much of futurity? He saw Mrs. Sparsit fighting out a daily fight at the points of all the weapons in the female armoury, with the grudging, smarting, peevish, tormenting Lady Scadgers, still laid up in bed with her mysterious leg, and gobbling her insufficient income down by about the middle of every quarter, in a mean little airless lodging, a mere closet for one, a mere crib for two; but did he see more? Did he catch any glimpse of himself making a show of Bitzer to strangers, as the rising young man, so devoted to his master's great merits, who had won young Tom's place, and had almost captured young Tom himself, in the times when by various rascals he was spirited away? Did he see any faint reflection of his own image making a vain-glorious will, whereby five-and-twenty Humbugs, past five-and-fifty years of age, each taking upon himself the name, Josiah Bounderby of Coketown, should for ever dine in Bounderby Hall, for ever lodge in Bounderby buildings, for ever attend a Bounderby chapel, for ever go to sleep under a Bounderby chaplain, for ever be supported out of a Bounderby estate, and for ever nauseate all healthy stomachs, with a vast amount of Bounderby balderdash and bluster? Had he any prescience of the day, five years to come, when Josiah Bounderby of Coketown was to die of a fit in the Coketown street, and this same precious will was to begin its long career of quibble, plunder, false pretences, vile example, little service and much law? Probably not. Yet the portrait was to see it all out.
Here was Mr. Gradgrind on the same day, and in the same hour, sitting thoughtful in his own room. How much of futurity did he see? Did he see himself, a white-haired decrepit man, bending his hitherto inflexible theories to appointed circumstances; making his facts and figures subservient to Faith, Hope, and Charity; and no longer trying to grind that Heavenly trio in his dusty little mills? Did he catch sight of himself, therefore much despised by his late political associates? Did he see them, in the era of its being quite settled that the national dustmen have only to do with one another, and owe no duty to an abstraction called a People, 'taunting the honourable gentleman' with this and with that and with what not, five nights a-week, until the small hours of the morning? Probably he had that much foreknowledge, knowing his men.
Here was Louisa on the night of the same day, watching the fire as in days of yore, though with a gentler and a humbler face. How much of the future might arise before her vision? Broadsides in the streets, signed with her father's name, exonerating the late Stephen Blackpool, weaver, from misplaced suspicion, and publishing the guilt of his own son, with such extenuation as his years and temptation (he could not bring himself to add, his education) might beseech; were of the Present. So, Stephen Blackpool's tombstone, with her father's record of his death, was almost of the Present, for she knew it was to be. These things she could plainly see. But, how much of the Future?
A working woman, christened Rachael, after a long illness once again appearing at the ringing of the Factory bell, and passing to and fro at the set hours, among the Coketown Hands; a woman of pensive beauty, always dressed in black, but sweet-tempered and serene, and even cheerful; who, of all the people in the place, alone appeared to have compassion on a degraded, drunken wretch of her own sex, who was sometimes seen in the town secretly begging of her, and crying to her; a woman working, ever working, but content to do it, and preferring to do it as her natural lot, until she should be too old to labour any more? Did Louisa see this? Such a thing was to be.
A lonely brother, many thousands of miles away, writing, on paper blotted with tears, that her words had too soon come true, and that all the treasures in the world would be cheaply bartered for a sight of her dear face? At length this brother coming nearer home, with hope of seeing her, and being delayed by illness; and then a letter, in a strange hand, saying 'he died in hospital, of fever, such a day, and died in penitence and love of you: his last word being your name'? Did Louisa see these things? Such things were to be.
Herself again a wife — a mother — lovingly watchful of her children, ever careful that they should have a childhood of the mind no less than a childhood of the body, as knowing it to be even a more beautiful thing, and a possession, any hoarded scrap of which, is a blessing and happiness to the wisest? Did Louisa see this? Such a thing was never to be.
But, happy Sissy's happy children loving her; all children loving her; she, grown learned in childish lore; thinking no innocent and pretty fancy ever to be despised; trying hard to know her humbler fellow-creatures, and to beautify their lives of machinery and reality with those imaginative graces and delights, without which the heart of infancy will wither up, the sturdiest physical manhood will be morally stark death, and the plainest national prosperity figures can show, will be the Writing on the Wall, — she holding this course as part of no fantastic vow, or bond, or brotherhood, or sisterhood, or pledge, or covenant, or fancy dress, or fancy fair; but simply as a duty to be done, — did Louisa see these things of herself? These things were to be.
Dear reader! It rests with you and me, whether, in our two fields of action, similar things shall be or not. Let them be! We shall sit with lighter bosoms on the hearth, to see the ashes of our fires turn gray and cold.