Pastor Manders, simple-minded and self-involved like Torvald Helmer, exists in an imaginary world where people and events conform to his stereotypes. Depositions such as "It is not a wife's part to be her husband's judge" and "We have no right to do anything that will scandalize the community" show how he accepts all the verbal expressions of social principles but is unable to deal with instances where doctrine does not apply. When he states, for instance, "A child should love and honor his father and mother," Mrs. Alving tartly replies, "Don't let us talk in such general terms. Suppose we say: ought Oswald to love and honor Mr. Alving?" To this conflict of principle and reality which she suggests, the reverend has no response. Hypocritical and prideful, Manders' only reaction to the story of Joanna's scandalous marriage to Engstrand is indignation that he was fooled.
Because of the power that his clerical status accords him, Manders is the most destructive creature in the drama. Incapable of spontaneity, devoid of any intellect, he readily sacrifices individual integrity and freedom of expression to maintain empty social standards. The major incident in a life devoted to hypocrisy occurred when Manders persuaded Mrs. Alving to return to her husband. Delighted to show the world his victory over temptation, he neglected Mrs. Alving's plight. His indifference to the needs of the individual sacrificed the love of a sensitive young woman and doomed her to lifelong despair. Although he is a believable figure in the present play, Manders is too much a stereotype. He speaks for all of society and represents its evils.