"She is engaged for this evening," he said, "but I shall have the honour to take you to the house of a lady of quality, and there you will know Paris as if you had lived in it for years."
Candide, who was naturally curious, let himself be taken to this lady's house, at the end of the Faubourg St. Honore. The company was occupied in playing faro; a dozen melancholy punters held each in his hand a little pack of cards; a bad record of his misfortunes. Profound silence reigned; pallor was on the faces of the punters, anxiety on that of the banker, and the hostess, sitting near the unpitying banker, noticed with lynx-eyes all the doubled and other increased stakes, as each player dog's-eared his cards; she made them turn down the edges again with severe, but polite attention; she showed no vexation for fear of losing her customers. The lady insisted upon being called the Marchioness of Parolignac. Her daughter, aged fifteen, was among the punters, and notified with a covert glance the cheatings of the poor people who tried to repair the cruelties of fate. The Perigordian Abbe, Candide and Martin entered; no one rose, no one saluted them, no one looked at them; all were profoundly occupied with their cards.
"The Baroness of Thunder-ten-Tronckh was more polite," said Candide.
However, the Abbe whispered to the Marchioness, who half rose, honoured Candide with a gracious smile, and Martin with a condescending nod; she gave a seat and a pack of cards to Candide, who lost fifty thousand francs in two deals, after which they supped very gaily, and every one was astonished that Candide was not moved by his loss; the servants said among themselves, in the language of servants: —
"Some English lord is here this evening."
The supper passed at first like most Parisian suppers, in silence, followed by a noise of words which could not be distinguished, then with pleasantries of which most were insipid, with false news, with bad reasoning, a little politics, and much evil speaking; they also discussed new books.
"Have you seen," said the Perigordian Abbe, "the romance of Sieur Gauchat, doctor of divinity?"
"Yes," answered one of the guests, "but I have not been able to finish it. We have a crowd of silly writings, but all together do not approach the impertinence of 'Gauchat, Doctor of Divinity.' I am so satiated with the great number of detestable books with which we are inundated that I am reduced to punting at faro."
"And the Melanges of Archdeacon Trublet, what do you say of that?" said the Abbe.
"Ah!" said the Marchioness of Parolignac, "the wearisome mortal! How curiously he repeats to you all that the world knows! How heavily he discusses that which is not worth the trouble of lightly remarking upon! How, without wit, he appropriates the wit of others! How he spoils what he steals! How he disgusts me! But he will disgust me no longer — it is enough to have read a few of the Archdeacon's pages."
There was at table a wise man of taste, who supported the Marchioness. They spoke afterwards of tragedies; the lady asked why there were tragedies which were sometimes played and which could not be read. The man of taste explained very well how a piece could have some interest, and have almost no merit; he proved in few words that it was not enough to introduce one or two of those situations which one finds in all romances, and which always seduce the spectator, but that it was necessary to be new without being odd, often sublime and always natural, to know the human heart and to make it speak; to be a great poet without allowing any person in the piece to appear to be a poet; to know language perfectly — to speak it with purity, with continuous harmony and without rhythm ever taking anything from sense.
"Whoever," added he, "does not observe all these rules can produce one or two tragedies, applauded at a theatre, but he will never be counted in the ranks of good writers. There are very few good tragedies; some are idylls in dialogue, well written and well rhymed, others political reasonings which lull to sleep, or amplifications which repel; others demoniac dreams in barbarous style, interrupted in sequence, with long apostrophes to the gods, because they do not know how to speak to men, with false maxims, with bombastic commonplaces!"
Candide listened with attention to this discourse, and conceived a great idea of the speaker, and as the Marchioness had taken care to place him beside her, he leaned towards her and took the liberty of asking who was the man who had spoken so well.
"He is a scholar," said the lady, "who does not play, whom the Abbe sometimes brings to supper; he is perfectly at home among tragedies and books, and he has written a tragedy which was hissed, and a book of which nothing has ever been seen outside his bookseller's shop excepting the copy which he dedicated to me."
"The great man!" said Candide. "He is another Pangloss!"
Then, turning towards him, he said:
"Sir, you think doubtless that all is for the best in the moral and physical world, and that nothing could be otherwise than it is?"
"I, sir!" answered the scholar, "I know nothing of all that; I find that all goes awry with me; that no one knows either what is his rank, nor what is his condition, what he does nor what he ought to do; and that except supper, which is always gay, and where there appears to be enough concord, all the rest of the time is passed in impertinent quarrels; Jansenist against Molinist, Parliament against the Church, men of letters against men of letters, courtesans against courtesans, financiers against the people, wives against husbands, relatives against relatives — it is eternal war."
"I have seen the worst," Candide replied. "But a wise man, who since has had the misfortune to be hanged, taught me that all is marvellously well; these are but the shadows on a beautiful picture."
"Your hanged man mocked the world," said Martin. "The shadows are horrible blots."
"They are men who make the blots," said Candide, "and they cannot be dispensed with."
"It is not their fault then," said Martin.