Here, in a large house, formerly a house of state, lives Mr. Tulkinghorn. It is let off in sets of chambers now, and in those shrunken fragments of its greatness, lawyers lie like maggots in nuts. But its roomy staircases, passages, and antechambers still remain; and even its painted ceilings, where Allegory, in Roman helmet and celestial linen, sprawls among balustrades and pillars, flowers, clouds, and big-legged boys, and makes the head ache — as would seem to be Allegory's object always, more or less. Here, among his many boxes labelled with transcendent names, lives Mr. Tulkinghorn, when not speechlessly at home in country-houses where the great ones of the earth are bored to death. Here he is to-day, quiet at his table. An oyster of the old school whom nobody can open.
Like as he is to look at, so is his apartment in the dusk of the present afternoon. Rusty, out of date, withdrawing from attention, able to afford it. Heavy, broad-backed, old-fashioned, mahogany- and-horsehair chairs, not easily lifted; obsolete tables with spindle-legs and dusty baize covers; presentation prints of the holders of great titles in the last generation or the last but one, environ him. A thick and dingy Turkey-carpet muffles the floor where he sits, attended by two candles in old-fashioned silver candlesticks that give a very insufficient light to his large room. The titles on the backs of his books have retired into the binding; everything that can have a lock has got one; no key is visible. Very few loose papers are about. He has some manuscript near him, but is not referring to it. With the round top of an inkstand and two broken bits of sealing-wax he is silently and slowly working out whatever train of indecision is in his mind. Now the inkstand top is in the middle, now the red bit of sealing-wax, now the black bit. That's not it. Mr. Tulkinghorn must gather them all up and begin again.
Here, beneath the painted ceiling, with foreshortened Allegory staring down at his intrusion as if it meant to swoop upon him, and he cutting it dead, Mr. Tulkinghorn has at once his house and office. He keeps no staff, only one middle-aged man, usually a little out at elbows, who sits in a high pew in the hall and is rarely overburdened with business. Mr. Tulkinghorn is not in a common way. He wants no clerks. He is a great reservoir of confidences, not to be so tapped. His clients want HIM; he is all in all. Drafts that he requires to be drawn are drawn by special- pleaders in the temple on mysterious instructions; fair copies that he requires to be made are made at the stationers', expense being no consideration. The middle-aged man in the pew knows scarcely more of the affairs of the peerage than any crossing-sweeper in Holborn.
The red bit, the black bit, the inkstand top, the other inkstand top, the little sand-box. So! You to the middle, you to the right, you to the left. This train of indecision must surely be worked out now or never. Now! Mr. Tulkinghorn gets up, adjusts his spectacles, puts on his hat, puts the manuscript in his pocket, goes out, tells the middle-aged man out at elbows, "I shall be back presently." Very rarely tells him anything more explicit.
Mr. Tulkinghorn goes, as the crow came — not quite so straight, but nearly — to Cook's Court, Cursitor Street. To Snagsby's, Law- Stationer's, Deeds engrossed and copied, Law-Writing executed in all its branches, &c., &c., &c.
It is somewhere about five or six o'clock in the afternoon, and a balmy fragrance of warm tea hovers in Cook's Court. It hovers about Snagsby's door. The hours are early there: dinner at half-past one and supper at half-past nine. Mr. Snagsby was about to descend into the subterranean regions to take tea when he looked out of his door just now and saw the crow who was out late.
"Master at home?"
Guster is minding the shop, for the 'prentices take tea in the kitchen with Mr. and Mrs. Snagsby; consequently, the robe-maker's two daughters, combing their curls at the two glasses in the two second-floor windows of the opposite house, are not driving the two 'prentices to distraction as they fondly suppose, but are merely awakening the unprofitable admiration of Guster, whose hair won't grow, and never would, and it is confidently thought, never will.
"Master at home?" says Mr. Tulkinghorn.
Master is at home, and Guster will fetch him. Guster disappears, glad to get out of the shop, which she regards with mingled dread and veneration as a storehouse of awful implements of the great torture of the law — a place not to be entered after the gas is turned off.
Mr. Snagsby appears, greasy, warm, herbaceous, and chewing. Bolts a bit of bread and butter. Says, "Bless my soul, sir! Mr. Tulkinghorn!"
"I want half a word with you, Snagsby."
"Certainly, sir! Dear me, sir, why didn't you send your young man round for me? Pray walk into the back shop, sir." Snagsby has brightened in a moment.
The confined room, strong of parchment-grease, is warehouse, counting-house, and copying-office. Mr. Tulkinghorn sits, facing round, on a stool at the desk.
"Jarndyce and Jarndyce, Snagsby."
"Yes, sir." Mr. Snagsby turns up the gas and coughs behind his hand, modestly anticipating profit. Mr. Snagsby, as a timid man, is accustomed to cough with a variety of expressions, and so to save words.
"You copied some affidavits in that cause for me lately."
"Yes, sir, we did."
"There was one of them," says Mr. Tulkinghorn, carelessly feeling — tight, unopenable oyster of the old school! — in the wrong coat- pocket, "the handwriting of which is peculiar, and I rather like. As I happened to be passing, and thought I had it about me, I looked in to ask you — but I haven't got it. No matter, any other time will do. Ah! here it is! I looked in to ask you who copied this."
"Who copied this, sir?" says Mr. Snagsby, taking it, laying it flat on the desk, and separating all the sheets at once with a twirl and a twist of the left hand peculiar to lawstationers. "We gave this out, sir. We were giving out rather a large quantity of work just at that time. I can tell you in a moment who copied it, sir, by referring to my book."
Mr. Snagsby takes his book down from the safe, makes another bolt of the bit of bread and butter which seemed to have stopped short, eyes the affidavit aside, and brings his right forefinger travelling down a page of the book, "Jewby — Packer — Jarndyce."
"Jarndyce! Here we are, sir," says Mr. Snagsby. "To be sure! I might have remembered it. This was given out, sir, to a writer who lodges just over on the opposite side of the lane."
Mr. Tulkinghorn has seen the entry, found it before the law- stationer, read it while the forefinger was coming down the hill.
"WHAT do you call him? Nemo?" says Mr. Tulkinghorn. "Nemo, sir. Here it is. Forty-two folio. Given out on the Wednesday night at eight o'clock, brought in on the Thursday morning at half after nine."
"Nemo!" repeats Mr. Tulkinghorn. "Nemo is Latin for no one."
"It must be English for some one, sir, I think," Mr. Snagsby submits with his deferential cough. "It is a person's name. Here it is, you see, sir! Forty-two folio. Given out Wednesday night, eight o'clock; brought in Thursday morning, half after nine."
The tail of Mr. Snagsby's eye becomes conscious of the head of Mrs. Snagsby looking in at the shop-door to know what he means by deserting his tea. Mr. Snagsby addresses an explanatory cough to Mrs. Snagsby, as who should say, "My dear, a customer!"
"Half after nine, sir," repeats Mr. Snagsby. "Our law-writers, who live by job-work, are a queer lot; and this may not be his name, but it's the name he goes by. I remember now, sir, that he gives it in a written advertisement he sticks up down at the Rule Office, and the King's Bench Office, and the Judges' Chambers, and so forth. You know the kind of document, sir — wanting employ?"
Mr. Tulkinghorn glances through the little window at the back of Coavinses', the sheriff's officer's, where lights shine in Coavinses' windows. Coavinses' coffee-room is at the back, and the shadows of several gentlemen under a cloud loom cloudily upon the blinds. Mr. Snagsby takes the opportunity of slightly turning his head to glance over his shoulder at his little woman and to make apologetic motions with his mouth to this effect: "Tul-king-horn — rich — in-flu-en-tial!"