Bleak House By Charles Dickens Chapter 43 - Esther's Narrative

He was not in the least disconcerted by our appearance, but rose and received us in his usual airy manner.

"Here I am, you see!" he said when we were seated, not without some little difficulty, the greater part of the chairs being broken. "Here I am! This is my frugal breakfast. Some men want legs of beef and mutton for breakfast; I don't. Give me my peach, my cup of coffee, and my claret; I am content. I don't want them for themselves, but they remind me of the sun. There's nothing solar about legs of beef and mutton. Mere animal satisfaction!"

"This is our friend's consulting-room (or would be, if he ever prescribed), his sanctum, his studio," said my guardian to us.

"Yes," said Mr. Skimpole, turning his bright face about, "this is the bird's cage. This is where the bird lives and sings. They pluck his feathers now and then and clip his wings, but he sings, he sings!"

He handed us the grapes, repeating in his radiant way, "He sings! Not an ambitious note, but still he sings."

"These are very fine," said my guardian. "A present?"

"No," he answered. "No! Some amiable gardener sells them. His man wanted to know, when he brought them last evening, whether he should wait for the money. 'Really, my friend,' I said, 'I think not — if your time is of any value to you.' I suppose it was, for he went away."

My guardian looked at us with a smile, as though he asked us, "Is it possible to be worldly with this baby?"

"This is a day," said Mr. Skimpole, gaily taking a little claret in a tumbler, "that will ever be remembered here. We shall call it Saint Clare and Saint Summerson day. You must see my daughters. I have a blue-eyed daughter who is my Beauty daughter, I have a Sentiment daughter, and I have a Comedy daughter. You must see them all. They'll be enchanted."

He was going to summon them when my guardian interposed and asked him to pause a moment, as he wished to say a word to him first. "My dear Jarndyce," he cheerfully replied, going back to his sofa, "as many moments as you please. Time is no object here. We never know what o'clock it is, and we never care. Not the way to get on in life, you'll tell me? Certainly. But we DON'T get on in life. We don't pretend to do it."

My guardian looked at us again, plainly saying, "You hear him?"

"Now, Harold," he began, "the word I have to say relates to Rick."

"The dearest friend I have!" returned Mr. Skimpole cordially. "I suppose he ought not to be my dearest friend, as he is not on terms with you. But he is, I can't help it; he is full of youthful poetry, and I love him. If you don't like it, I can't help it. I love him."

The engaging frankness with which he made this declaration really had a disinterested appearance and captivated my guardian, if not, for the moment, Ada too.

"You are welcome to love him as much as you like," returned Mr. Jarndyce, "but we must save his pocket, Harold."

"Oh!" said Mr. Skimpole. "His pocket? Now you are coming to what I don't understand." Taking a little more claret and dipping one of the cakes in it, he shook his head and smiled at Ada and me with an ingenuous foreboding that he never could be made to understand.

"If you go with him here or there," said my guardian plainly, "you must not let him pay for both."

"My dear Jarndyce," returned Mr. Skimpole, his genial face irradiated by the comicality of this idea, "what am I to do? If he takes me anywhere, I must go. And how can I pay? I never have any money. If I had any money, I don't know anything about it. Suppose I say to a man, how much? Suppose the man says to me seven and sixpence? I know nothing about seven and sixpence. It is impossible for me to pursue the subject with any consideration for the man. I don't go about asking busy people what seven and sixpence is in Moorish — which I don't understand. Why should I go about asking them what seven and sixpence is in Money — which I don't understand?"

"Well," said my guardian, by no means displeased with this artless reply, "if you come to any kind of journeying with Rick, you must borrow the money of me (never breathing the least allusion to that circumstance), and leave the calculation to him."

"My dear Jarndyce," returned Mr. Skimpole, "I will do anything to give you pleasure, but it seems an idle form — a superstition. Besides, I give you my word, Miss Clare and my dear Miss Summerson, I thought Mr. Carstone was immensely rich. I thought he had only to make over something, or to sign a bond, or a draft, or a cheque, or a bill, or to put something on a file somewhere, to bring down a shower of money."

"Indeed it is not so, sir," said Ada. "He is poor."

"No, really?" returned Mr. Skimpole with his bright smile. "You surprise me.

"And not being the richer for trusting in a rotten reed," said my guardian, laying his hand emphatically on the sleeve of Mr. Skimpole's dressing-gown, "be you very careful not to encourage him in that reliance, Harold."

"My dear good friend," returned Mr. Skimpole, "and my dear Miss Simmerson, and my dear Miss Clare, how can I do that? It's business, and I don't know business. It is he who encourages me. He emerges from great feats of business, presents the brightest prospects before me as their result, and calls upon me to admire them. I do admire them — as bright prospects. But I know no more about them, and I tell him so."

The helpless kind of candour with which he presented this before us, the light-hearted manner in which he was amused by his innocence, the fantastic way in which he took himself under his own protection and argued about that curious person, combined with the delightful ease of everything he said exactly to make out my guardian's case. The more I saw of him, the more unlikely it seemed to me, when he was present, that he could design, conceal, or influence anything; and yet the less likely that appeared when he was not present, and the less agreeable it was to think of his having anything to do with any one for whom I cared.

Hearing that his examination (as he called it) was now over, Mr. Skimpole left the room with a radiant face to fetch his daughters (his sons had run away at various times), leaving my guardian quite delighted by the manner in which he had vindicated his childish character. He soon came back, bringing with him the three young ladies and Mrs. Skimpole, who had once been a beauty but was now a delicate high-nosed invalid suffering under a complication of disorders.

"This," said Mr. Skimpole, "is my Beauty daughter, Arethusa — plays and sings odds and ends like her father. This is my Sentiment daughter, Laura — plays a little but don't sing. This is my Comedy daughter, Kitty — sings a little but don't play. We all draw a little and compose a little, and none of us have any idea of time or money."

Mrs. Skimpole sighed, I thought, as if she would have been glad to strike out this item in the family attainments. I also thought that she rather impressed her sigh upon my guardian and that she took every opportunity of throwing in another.

"It is pleasant," said Mr. Skimpole, turning his sprightly eyes from one to the other of us, "and it is whimsically interesting to trace peculiarities in families. In this family we are all children, and I am the youngest."

The daughters, who appeared to be very fond of him, were amused by this droll fact, particularly the Comedy daughter.

"My dears, it is true," said Mr. Skimpole, "is it not? So it is, and so it must be, because like the dogs in the hymn, 'it is our nature to.' Now, here is Miss Summerson with a fine administrative capacity and a knowledge of details perfectly surprising. It will sound very strange in Miss Summerson's ears, I dare say, that we know nothing about chops in this house. But we don't, not the least. We can't cook anything whatever. A needle and thread we don't know how to use. We admire the people who possess the practical wisdom we want, but we don't quarrel with them. Then why should they quarrel with us? Live and let live, we say to them. Live upon your practical wisdom, and let us live upon you!"

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