Chum Frink agreed, "That's so. But what I mind is their lack of culture and appreciation of the Beautiful — if you'll excuse me for being highbrow. Now, I like to give a high-class lecture, and read some of my best poetry — not the newspaper stuff but the magazine things. But say, when I get out in the tall grass, there's nothing will take but a lot of cheesy old stories and slang and junk that if any of us were to indulge in it here, he'd get the gate so fast it would make his head swim."
Vergil Gunch summed it up: "Fact is, we're mighty lucky to be living among a bunch of city-folks, that recognize artistic things and business-punch equally. We'd feel pretty glum if we got stuck in some Main Street burg and tried to wise up the old codgers to the kind of life we're used to here. But, by golly, there's this you got to say for 'em: Every small American town is trying to get population and modern ideals. And darn if a lot of 'em don't put it across! Somebody starts panning a rube crossroads, telling how he was there in 1900 and it consisted of one muddy street, count 'em, one, and nine hundred human clams. Well, you go back there in 1920, and you find pavements and a swell little hotel and a first-class ladies' ready-to-wear shop-real perfection, in fact! You don't want to just look at what these small towns are, you want to look at what they're aiming to become, and they all got an ambition that in the long run is going to make 'em the finest spots on earth — they all want to be just like Zenith!"
However intimate they might be with T. Cholmondeley Frink as a neighbor, as a borrower of lawn-mowers and monkey-wrenches, they knew that he was also a Famous Poet and a distinguished advertising-agent; that behind his easiness were sultry literary mysteries which they could not penetrate. But to-night, in the gin-evolved confidence, he admitted them to the arcanum:
"I've got a literary problem that's worrying me to death. I'm doing a series of ads for the Zeeco Car and I want to make each of 'em a real little gem — reg'lar stylistic stuff. I'm all for this theory that perfection is the stunt, or nothing at all, and these are as tough things as I ever tackled. You might think it'd be harder to do my poems — all these Heart Topics: home and fireside and happiness — but they're cinches. You can't go wrong on 'em; you know what sentiments any decent go-ahead fellow must have if he plays the game, and you stick right to 'em. But the poetry of industrialism, now there's a literary line where you got to open up new territory. Do you know the fellow who's really THE American genius? The fellow who you don't know his name and I don't either, but his work ought to be preserved so's future generations can judge our American thought and originality to-day? Why, the fellow that writes the Prince Albert Tobacco ads! Just listen to this:
It's P.A. that jams such joy in jimmy pipes. Say — bet you've often bent-an-ear to that spill-of-speech about hopping from five to f-i-f-t-y p-e-r by "stepping on her a bit!" Guess that's going some, all right — BUT just among ourselves, you better start a rapidwhiz system to keep tabs as to how fast you'll buzz from low smoke spirits to TIP-TOP-HIGH — once you line up behind a jimmy pipe that's all aglow with that peach-of-a-pal, Prince Albert.
Prince Albert is john-on-the-job — always joy'usly more-ISH in flavor; always delightfully cool and fragrant! For a fact, you never hooked such double-decked, copper-riveted, two-fisted smoke enjoyment!
Go to a pipe — speed-o-quick like you light on a good thing! Why — packed with Prince Albert you can play a joy'us jimmy straight across the boards! AND YOU KNOW WHAT THAT MEANS!"
"Now that," caroled the motor agent, Eddie Swanson, "that's what I call he-literature! That Prince Albert fellow — though, gosh, there can't be just one fellow that writes 'em; must be a big board of classy ink-slingers in conference, but anyway: now, him, he doesn't write for long-haired pikers, he writes for Regular Guys, he writes for ME, and I tip my benny to him! The only thing is: I wonder if it sells the goods? Course, like all these poets, this Prince Albert fellow lets his idea run away with him. It makes elegant reading, but it don't say nothing. I'd never go out and buy Prince Albert Tobacco after reading it, because it doesn't tell me anything about the stuff. It's just a bunch of fluff."
Frink faced him: "Oh, you're crazy! Have I got to sell you the idea of Style? Anyway that's the kind of stuff I'd like to do for the Zeeco. But I simply can't. So I decided to stick to the straight poetic, and I took a shot at a highbrow ad for the Zeeco. How do you like this:
The long white trail is calling — calling-and it's over the hills and far away for every man or woman that has red blood in his veins and on his lips the ancient song of the buccaneers. It's away with dull drudging, and a fig for care. Speed — glorious Speed — it's more than just a moment's exhilaration — it's Life for you and me! This great new truth the makers of the Zeeco Car have considered as much as price and style. It's fleet as the antelope, smooth as the glide of a swallow, yet powerful as the charge of a bull-elephant. Class breathes in every line. Listen, brother! You'll never know what the high art of hiking is till you TRY LIFE'S ZIPPINGEST ZEST — THE ZEECO!"
"Yes," Frink mused, "that's got an elegant color to it, if I do say so, but it ain't got the originality of 'spill-of-speech!'" The whole company sighed with sympathy and admiration.