It was quite by half-past five — after the two men had been together in Madame de Vionnet's drawing-room not more than a dozen minutes — that Chad, with a look at his watch and then another at their hostess, said genially, gaily: "I've an engagement, and I know you won't complain if I leave him with you. He'll interest you immensely; and as for her," he declared to Strether, "I assure you, if you're at all nervous, she's perfectly safe."
He had left them to be embarrassed or not by this guarantee, as they could best manage, and embarrassment was a thing that Strether wasn't at first sure Madame de Vionnet escaped. He escaped it himself, to his surprise; but he had grown used by this time to thinking of himself as brazen. She occupied, his hostess, in the Rue de Bellechasse, the first floor of an old house to which our visitors had had access from an old clean court. The court was large and open, full of revelations, for our friend, of the habit of privacy, the peace of intervals, the dignity of distances and approaches; the house, to his restless sense, was in the high homely style of an elder day, and the ancient Paris that he was always looking for — sometimes intensely felt, sometimes more acutely missed — was in the immemorial polish of the wide waxed staircase and in the fine boiseries, the medallions, mouldings, mirrors, great clear spaces, of the greyish-white salon into which he had been shown. He seemed at the very outset to see her in the midst of possessions not vulgarly numerous, but hereditary cherished charming. While his eyes turned after a little from those of his hostess and Chad freely talked — not in the least about HIM, but about other people, people he didn't know, and quite as if he did know them — he found himself making out, as a background of the occupant, some glory, some prosperity of the First Empire, some Napoleonic glamour, some dim lustre of the great legend; elements clinging still to all the consular chairs and mythological brasses and sphinxes' heads and faded surfaces of satin striped with alternate silk.
The place itself went further back — that he guessed, and how old Paris continued in a manner to echo there; but the post-revolutionary period, the world he vaguely thought of as the world of Chateaubriand, of Madame de Stael, even of the young Lamartine, had left its stamp of harps and urns and torches, a stamp impressed on sundry small objects, ornaments and relics. He had never before, to his knowledge, had present to him relics, of any special dignity, of a private order — little old miniatures, medallions, pictures, books; books in leather bindings, pinkish and greenish, with gilt garlands on the back, ranged, together with other promiscuous properties, under the glass of brass-mounted cabinets. His attention took them all tenderly into account. They were among the matters that marked Madame de Vionnet's apartment as something quite different from Miss Gostrey's little museum of bargains and from Chad's lovely home; he recognised it as founded much more on old accumulations that had possibly from time to time shrunken than on any contemporary method of acquisition or form of curiosity. Chad and Miss Gostrey had rummaged and purchased and picked up and exchanged, sifting, selecting, comparing; whereas the mistress of the scene before him, beautifully passive under the spell of transmission — transmission from her father's line, he quite made up his mind — had only received, accepted and been quiet. When she hadn't been quiet she had been moved at the most to some occult charity for some fallen fortune. There had been objects she or her predecessors might even conceivably have parted with under need, but Strether couldn't suspect them of having sold old pieces to get "better" ones. They would have felt no difference as to better or worse. He could but imagine their having felt — perhaps in emigration, in proscription, for his sketch was slight and confused — the pressure of want or the obligation of sacrifice.
The pressure of want — whatever might be the case with the other force — was, however, presumably not active now, for the tokens of a chastened ease still abounded after all, many marks of a taste whose discriminations might perhaps have been called eccentric. He guessed at intense little preferences and sharp little exclusions, a deep suspicion of the vulgar and a personal view of the right. The general result of this was something for which he had no name on the spot quite ready, but something he would have come nearest to naming in speaking of it as the air of supreme respectability, the consciousness, small, still, reserved, but none the less distinct and diffused, of private honour. The air of supreme respectability — that was a strange blank wall for his adventure to have brought him to break his nose against. It had in fact, as he was now aware, filled all the approaches, hovered in the court as he passed, hung on the staircase as he mounted, sounded in the grave rumble of the old bell, as little electric as possible, of which Chad, at the door, had pulled the ancient but neatly-kept tassel; it formed in short the clearest medium of its particular kind that he had ever breathed. He would have answered for it at the end of a quarter of an hour that some of the glass cases contained swords and epaulettes of ancient colonels and generals; medals and orders once pinned over hearts that had long since ceased to beat; snuff-boxes bestowed on ministers and envoys; copies of works presented, with inscriptions, by authors now classic. At bottom of it all for him was the sense of her rare unlikeness to the women he had known. This sense had grown, since the day before, the more he recalled her, and had been above all singularly fed by his talk with Chad in the morning. Everything in fine made her immeasurably new, and nothing so new as the old house and the old objects. There were books, two or three, on a small table near his chair, but they hadn't the lemon-coloured covers with which his eye had begun to dally from the hour of his arrival and to the opportunity of a further acquaintance with which he had for a fortnight now altogether succumbed. On another table, across the room, he made out the great Revue; but even that familiar face, conspicuous in Mrs. Newsome's parlours, scarce counted here as a modern note. He was sure on the spot — and he afterwards knew he was right — that this was a touch of Chad's own hand. What would Mrs. Newsome say to the circumstance that Chad's interested "influence" kept her paper-knife in the Revue? The interested influence at any rate had, as we say, gone straight to the point — had in fact soon left it quite behind.
She was seated, near the fire, on a small stuffed and fringed chair one of the few modern articles in the room, and she leaned back in it with her hands clasped in her lap and no movement, in all her person, but the fine prompt play of her deep young face. The fire, under the low white marble, undraped and academic, had burnt down to the silver ashes of light wood, one of the windows, at a distance, stood open to the mildness and stillness, out of which, in the short pauses, came the faint sound, pleasant and homely, almost rustic, of a plash and a clatter of sabots from some coach-house on the other side of the court. Madame de Vionnet, while Strether sat there, wasn't to shift her posture by an inch. "I don't think you seriously believe in what you're doing," she said; "but all the same, you know, I'm going to treat you quite as if I did."
"By which you mean," Strether directly replied, "quite as if you didn't! I assure you it won't make the least difference with me how you treat me."