Summary and Analysis
Unlike Pygmalion or many of Shaw's other plays, there is no actual, separate preface to this particular play. However, there was a preface to the original volume of plays which contains this play and three others: The Pleasant Plays, 1898, revised in 1921. As Shaw noted elsewhere, a preface seldom or never concerns the play which is to follow the preface, and this preface is no exception. Instead, Shaw used this preface to comment upon the new style of drama (or simply what he calls New Drama), a name applied to dramas such as his or Ibsen's, plays which were not written to be commercial successes, but to be intellectual vehicles which would make the audience consider (or think about) their life — to be intellectually aware of their historical place in civilization. Shaw refuses to pander himself to popular demands for romantic (and thus unbelievable and unrealistic) situations. Ultimately, according to Shaw, the theater should become a place for the airing of ideas and a place where sham and pretense can be exposed in a way that is delightful to the audience.