Adam Bede By George Eliot Book III: Chapters 22-26

This speech of Miss Lydia's produced rather a mocking expression in Mrs. Irwine's face as she looked at Arthur, while Bessy came up and dropped a series of curtsies.

"This is Bessy Cranage, mother," said Mr. Irwine, kindly, "Chad Cranage's daughter. You remember Chad Cranage, the blacksmith?"

"Yes, to be sure," said Mrs. Irwine. "Well, Bessy, here is your prize — excellent warm things for winter. I'm sure you have had hard work to win them this warm day."

Bessy's lip fell as she saw the ugly, heavy gown — which felt so hot and disagreeable too, on this July day, and was such a great ugly thing to carry. She dropped her curtsies again, without looking up, and with a growing tremulousness about the corners of her mouth, and then turned away.

"Poor girl," said Arthur; "I think she's disappointed. I wish it had been something more to her taste."

"She's a bold-looking young person," observed Miss Lydia. "Not at all one I should like to encourage."

Arthur silently resolved that he would make Bessy a present of money before the day was over, that she might buy something more to her mind; but she, not aware of the consolation in store for her, turned out of the open space, where she was visible from the marquee, and throwing down the odious bundle under a tree, began to cry — very much tittered at the while by the small boys. In this situation she was descried by her discreet matronly cousin, who lost no time in coming up, having just given the baby into her husband's charge.

"What's the matter wi' ye?" said Bess the matron, taking up the bundle and examining it. "Ye'n sweltered yoursen, I reckon, running that fool's race. An' here, they'n gi'en you lots o' good grogram and flannel, as should ha' been gi'en by good rights to them as had the sense to keep away from such foolery. Ye might spare me a bit o' this grogram to make clothes for the lad — ye war ne'er ill-natured, Bess; I ne'er said that on ye."

"Ye may take it all, for what I care," said Bess the maiden, with a pettish movement, beginning to wipe away her tears and recover herself.

"Well, I could do wi't, if so be ye want to get rid on't," said the disinterested cousin, walking quickly away with the bundle, lest Chad's Bess should change her mind.

But that bonny-cheeked lass was blessed with an elasticity of spirits that secured her from any rankling grief; and by the time the grand climax of the donkey-race came on, her disappointment was entirely lost in the delightful excitement of attempting to stimulate the last donkey by hisses, while the boys applied the argument of sticks. But the strength of the donkey mind lies in adopting a course inversely as the arguments urged, which, well considered, requires as great a mental force as the direct sequence; and the present donkey proved the first-rate order of his intelligence by coming to a dead standstill just when the blows were thickest. Great was the shouting of the crowd, radiant the grinning of Bill Downes the stone-sawyer and the fortunate rider of this superior beast, which stood calm and stiff-legged in the midst of its triumph.

Arthur himself had provided the prizes for the men, and Bill was made happy with a splendid pocket-knife, supplied with blades and gimlets enough to make a man at home on a desert island. He had hardly returned from the marquee with the prize in his hand, when it began to be understood that Wiry Ben proposed to amuse the company, before the gentry went to dinner, with an impromptu and gratuitous performance — namely, a hornpipe, the main idea of which was doubtless borrowed; but this was to be developed by the dancer in so peculiar and complex a manner that no one could deny him the praise of originality. Wiry Ben's pride in his dancing — an accomplishment productive of great effect at the yearly Wake — had needed only slightly elevating by an extra quantity of good ale to convince him that the gentry would be very much struck with his performance of his hornpipe; and he had been decidedly encouraged in this idea by Joshua Rann, who observed that it was nothing but right to do something to please the young squire, in return for what he had done for them. You will be the less surprised at this opinion in so grave a personage when you learn that Ben had requested Mr. Rann to accompany him on the fiddle, and Joshua felt quite sure that though there might not be much in the dancing, the music would make up for it. Adam Bede, who was present in one of the large marquees, where the plan was being discussed, told Ben he had better not make a fool of himself — a remark which at once fixed Ben's determination: he was not going to let anything alone because Adam Bede turned up his nose at it.

"What's this, what's this?" said old Mr. Donnithorne. "Is it something you've arranged, Arthur? Here's the clerk coming with his fiddle, and a smart fellow with a nosegay in his button-hole."

"No," said Arthur; "I know nothing about it. By Jove, he's going to dance! It's one of the carpenters — I forget his name at this moment."

"It's Ben Cranage — Wiry Ben, they call him," said Mr. Irwine; "rather a loose fish, I think. Anne, my dear, I see that fiddle-scraping is too much for you: you're getting tired. Let me take you in now, that you may rest till dinner."

Miss Anne rose assentingly, and the good brother took her away, while Joshua's preliminary scrapings burst into the "White Cockade," from which he intended to pass to a variety of tunes, by a series of transitions which his good ear really taught him to execute with some skill. It would have been an exasperating fact to him, if he had known it, that the general attention was too thoroughly absorbed by Ben's dancing for any one to give much heed to the music.

Have you ever seen a real English rustic perform a solo dance? Perhaps you have only seen a ballet rustic, smiling like a merry countryman in crockery, with graceful turns of the haunch and insinuating movements of the head. That is as much like the real thing as the "Bird Waltz" is like the song of birds. Wiry Ben never smiled: he looked as serious as a dancing monkey — as serious as if he had been an experimental philosopher ascertaining in his own person the amount of shaking and the varieties of angularity that could be given to the human limbs.

To make amends for the abundant laughter in the striped marquee, Arthur clapped his hands continually and cried "Bravo!" But Ben had one admirer whose eyes followed his movements with a fervid gravity that equalled his own. It was Martin Poyser, who was seated on a bench, with Tommy between his legs.

"What dost think o' that?" he said to his wife. "He goes as pat to the music as if he was made o' clockwork. I used to be a pretty good un at dancing myself when I was lighter, but I could niver ha' hit it just to th' hair like that."

"It's little matter what his limbs are, to my thinking," re-turned Mrs. Poyser. "He's empty enough i' the upper story, or he'd niver come jigging an' stamping i' that way, like a mad grasshopper, for the gentry to look at him. They're fit to die wi' laughing, I can see."

"Well, well, so much the better, it amuses 'em," said Mr. Poyser, who did not easily take an irritable view of things. "But they're going away now, t' have their dinner, I reckon. Well move about a bit, shall we, and see what Adam Bede's doing. He's got to look after the drinking and things: I doubt he hasna had much fun."

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