Enter the Aunts and Uncles
The Dodsons were certainly a handsome family, and Mrs. Glegg was not the least handsome of the sisters. As she sat in Mrs. Tulliver's arm-chair, no impartial observer could have denied that for a woman of fifty she had a very comely face and figure, though Tom and Maggie considered their aunt Glegg as the type of ugliness. It is true she despised the advantages of costume, for though, as she often observed, no woman had better clothes, it was not her way to wear her new things out before her old ones. Other women, if they liked, might have their best thread-lace in every wash; but when Mrs. Glegg died, it would be found that she had better lace laid by in the right-hand drawer of her wardrobe in the Spotted Chamber than ever Mrs. Wooll of St. Ogg's had bought in her life, although Mrs. Wooll wore her lace before it was paid for. So of her curled fronts: Mrs. Glegg had doubtless the glossiest and crispest brown curls in her drawers, as well as curls in various degrees of fuzzy laxness; but to look out on the week-day world from under a crisp and glossy front would be to introduce a most dreamlike and unpleasant confusion between the sacred and the secular. Occasionally, indeed, Mrs. Glegg wore one of her third-best fronts on a week-day visit, but not at a sister's house; especially not at Mrs. Tulliver's, who, since her marriage, had hurt her sister's feelings greatly by wearing her own hair, though, as Mrs. Glegg observed to Mrs. Deane, a mother of a family, like Bessy, with a husband always going to law, might have been expected to know better. But Bessy was always weak!
So if Mrs. Glegg's front to-day was more fuzzy and lax than usual, she had a design under it: she intended the most pointed and cutting allusion to Mrs. Tulliver's bunches of blond curls, separated from each other by a due wave of smoothness on each side of the parting. Mrs. Tulliver had shed tears several times at sister Glegg's unkindness on the subject of these unmatronly curls, but the consciousness of looking the handsomer for them naturally administered support. Mrs. Glegg chose to wear her bonnet in the house to-day, — united and tilted slightly, of course — a frequent practice of hers when she was on a visit, and happened to be in a severe humor: she didn't know what draughts there might be in strange houses. For the same reason she wore a small sable tippet, which reached just to her shoulders, and was very far from meeting across her well-formed chest, while her long neck was protected by a chevaux-de-frise of miscellaneous frilling. One would need to be learned in the fashions of those times to know how far in the rear of them Mrs. Glegg's slate-colored silk gown must have been; but from certain constellations of small yellow spots upon it, and a mouldy odor about it suggestive of a damp clothes-chest, it was probable that it belonged to a stratum of garments just old enough to have come recently into wear.
Mrs. Glegg held her large gold watch in her hand with the many-doubled chain round her fingers, and observed to Mrs. Tulliver, who had just returned from a visit to the kitchen, that whatever it might be by other people's clocks and watches, it was gone half-past twelve by hers.
"I don't know what ails sister Pullet," she continued. "It used to be the way in our family for one to be as early as another, — I'm sure it was so in my poor father's time, — and not for one sister to sit half an hour before the others came. But if the ways o' the family are altered, it sha'n't be my fault; I'll never be the one to come into a house when all the rest are going away. I wonder at sister Deane, — she used to be more like me. But if you'll take my advice, Bessy, you'll put the dinner forrard a bit, sooner than put it back, because folks are late as ought to ha' known better."
"Oh dear, there's no fear but what they'll be all here in time, sister," said Mrs. Tulliver, in her mild-peevish tone. "The dinner won't be ready till half-past one. But if it's long for you to wait, let me fetch you a cheesecake and a glass o' wine."
"Well, Bessy!" said Mrs. Glegg, with a bitter smile and a scarcely perceptible toss of her head, "I should ha' thought you'd known your own sister better. I never did eat between meals, and I'm not going to begin. Not but what I hate that nonsense of having your dinner at half-past one, when you might have it at one. You was never brought up in that way, Bessy."
"Why, Jane, what can I do? Mr. Tulliver doesn't like his dinner before two o'clock, but I put it half an hour earlier because o' you."
"Yes, yes, I know how it is with husbands, — they're for putting everything off; they'll put the dinner off till after tea, if they've got wives as are weak enough to give in to such work; but it's a pity for you, Bessy, as you haven't got more strength o' mind. It'll be well if your children don't suffer for it. And I hope you've not gone and got a great dinner for us, — going to expense for your sisters, as 'ud sooner eat a crust o' dry bread nor help to ruin you with extravagance. I wonder you don't take pattern by your sister Deane; she's far more sensible. And here you've got two children to provide for, and your husband's spent your fortin i' going to law, and's likely to spend his own too. A boiled joint, as you could make broth of for the kitchen," Mrs. Glegg added, in a tone of emphatic protest, "and a plain pudding, with a spoonful o' sugar, and no spice, 'ud be far more becoming."
With sister Glegg in this humor, there was a cheerful prospect for the day. Mrs. Tulliver never went the length of quarrelling with her, any more than a water-fowl that puts out its leg in a deprecating manner can be said to quarrel with a boy who throws stones. But this point of the dinner was a tender one, and not at all new, so that Mrs. Tulliver could make the same answer she had often made before.
"Mr. Tulliver says he always will have a good dinner for his friends while he can pay for it," she said; "and he's a right to do as he likes in his own house, sister."
"Well, Bessy, I can't leave your children enough out o' my savings to keep 'em from ruin. And you mustn't look to having any o' Mr. Glegg's money, for it's well if I don't go first, — he comes of a long-lived family; and if he was to die and leave me well for my life, he'd tie all the money up to go back to his own kin."
The sound of wheels while Mrs. Glegg was speaking was an interruption highly welcome to Mrs. Tulliver, who hastened out to receive sister Pullet; it must be sister Pullet, because the sound was that of a four-wheel.
Mrs. Glegg tossed her head and looked rather sour about the mouth at the thought of the "four-wheel." She had a strong opinion on that subject.
Sister Pullet was in tears when the one-horse chaise stopped before Mrs. Tulliver's door, and it was apparently requisite that she should shed a few more before getting out; for though her husband and Mrs. Tulliver stood ready to support her, she sat still and shook her head sadly, as she looked through her tears at the vague distance.
"Why, whativer is the matter, sister?" said Mrs. Tulliver. She was not an imaginative woman, but it occurred to her that the large toilet-glass in sister Pullet's best bedroom was possibly broken for the second time.
There was no reply but a further shake of the head, as Mrs. Pullet slowly rose and got down from the chaise, not without casting a glance at Mr. Pullet to see that he was guarding her handsome silk dress from injury. Mr. Pullet was a small man, with a high nose, small twinkling eyes, and thin lips, in a fresh-looking suit of black and a white cravat, that seemed to have been tied very tight on some higher principle than that of mere personal ease. He bore about the same relation to his tall, good-looking wife, with her balloon sleeves, abundant mantle, and a large befeathered and beribboned bonnet, as a small fishing-smack bears to a brig with all its sails spread.
It is a pathetic sight and a striking example of the complexity introduced into the emotions by a high state of civilization, the sight of a fashionably dressed female in grief. From the sorrow of a Hottentot to that of a woman in large buckram sleeves, with several bracelets on each arm, an architectural bonnet, and delicate ribbon strings, what a long series of gradations! In the enlightened child of civilization the abandonment characteristic of grief is checked and varied in the subtlest manner, so as to present an interesting problem to the analytic mind. If, with a crushed heart and eyes half blinded by the mist of tears, she were to walk with a too-devious step through a door-place, she might crush her buckram sleeves too, and the deep consciousness of this possibility produces a composition of forces by which she takes a line that just clears the door-post. Perceiving that the tears are hurrying fast, she unpins her strings and throws them languidly backward, a touching gesture, indicative, even in the deepest gloom, of the hope in future dry moments when cap-strings will once more have a charm. As the tears subside a little, and with her head leaning backward at the angle that will not injure her bonnet, she endures that terrible moment when grief, which has made all things else a weariness, has itself become weary; she looks down pensively at her bracelets, and adjusts their clasps with that pretty studied fortuity which would be gratifying to her mind if it were once more in a calm and healthy state.