Many books have assembled facts, reasonable suppositions, traditions, and speculations concerning the life and career of William Shakespeare. Taken as a whole, these materials give a rather comprehensive picture of England's foremost dramatic poet. Tradition and sober supposition are not necessarily false because they lack proved bases for their existence. It is important, however, that persons interested in Shakespeare should distinguish between facts and beliefs about his life.
From one point of view, modern scholars are fortunate to know as much as they do about a man of middle-class origin who left a small country town and embarked on a professional career in sixteenth-century London. From another point of view, they know surprisingly little about the writer who has continued to influence the English language and its drama and poetry for more than three hundred years. Sparse and scattered as these facts of his life are, they are sufficient to prove that a man from Stratford by the name of William Shakespeare wrote the major portion of the thirty-seven plays which scholars ascribe to him. The concise review which follows will concern itself with some of these records.
No one knows the exact date of William Shakespeare's birth. His baptism occurred on Wednesday, April 26, 1564. His father was John Shakespeare, tanner, glover, dealer in grain, and town official of Stratford; his mother, Mary, was the daughter of Robert Arden, a prosperous gentleman-farmer. The Shakespeares lived on Henley Street.
Under a bond dated November 28, 1582, William Shakespeare and Anne Hathaway entered into a marriage contract. The baptism of their eldest child, Susanna, took place in Stratford in May 1583. One year and nine months later, their twins, Hamnet and Judith, were christened in the same church. The parents named them for two of the poet's friends, Hamnet and Judith Sadler.
Early in 1596, William Shakespeare, in his father's name, applied to the College of Heralds for a coat of arms. Although positive proof is lacking, there is reason to believe that the Heralds granted this request, for in 1599, Shakespeare again made application for the right to quarter his coat of arms with that of his mother. Entitled to her father's coat of arms, Mary had lost this privilege when she married John Shakespeare before he held the official status of gentleman.
In May 1597, Shakespeare purchased New Place, the outstanding residential property in Stratford at that time. Since John Shakespeare had suffered financial reverses prior to this date, William must have achieved success for himself.
Court records show that in 1601-02, William Shakespeare began rooming in the household of Christopher Mountjoy in London. Subsequent disputes over the wedding settlement and agreement between Mountjoy and his son-in-law, Stephen Belott, led to a series of legal actions, and in 1612, the court scribe recorded Shakespeare's deposition of testimony relating to the case.
In July 1605, William Shakespeare paid four hundred and forty pounds for the lease of a large portion of the tithes on certain real estate in and near Stratford. This was an arrangement whereby Shakespeare purchased half the annual tithes, or taxes, on certain agricultural products from parcels of land in and near Stratford. In addition to receiving approximately ten per cent income on his investment, he almost doubled his capital. This was possibly the most important and successful investment of his lifetime, and it paid a steady income for many years.
Shakespeare is next mentioned when John Combe, a resident of Stratford, died on July 12, 1614. To his friend, Combe bequeathed the sum of five pounds. These records and similar ones are important, not because of their economic significance but because they prove the existence of a William Shakespeare in Stratford and in London during this period.
On March 25, 1616, William Shakespeare revised his last will and testament. He died on April 23 of the same year. His body lies within the chancel and before the altar of the Stratford church. A rather wry inscription is carved upon his tombstone:
Good Friend, for Jesus' sake, forbear
To dig the dust enclosed here;
Blest be the man that spares these stones,
And curst be he who moves my bones.
The last direct descendant of William Shakespeare was his granddaughter, Elizabeth Hall, who died in 1670.
These are the most outstanding facts about Shakespeare the man, as apart from those about the dramatist and poet. Such pieces of information, scattered from 1564 through 1616, declare the existence of such a person, not as a writer or actor, but as a private citizen. It is illogical to think that anyone would or could have fabricated these details for the purpose of deceiving later generations.
In similar fashion, the evidence establishing William Shakespeare as the foremost playwright of his day is positive and persuasive. Robert Greene's Groatsworth of Wit, in which he attacked Shakespeare, a mere actor, for presuming to write plays in competition with Greene and his fellow playwrights, was entered in the Stationers' Register on September 20, 1592. In 1594, Shakespeare acted before Queen Elizabeth, and in 1594 and 1595, his name appeared as one of the shareholders of the Lord Chamberlain's Company. Francis Meres, in his Palladis Tamia (1598), called Shakespeare "mellifluous and hony-tongued" and compared his comedies and tragedies with those of Plautus and Seneca in excellence.
Shakespeare's continued association with Burbage's company is equally definite. His name appears as one of the owners of the Globe in 1599. On May 19, 1603, he and his fellow actors received a patent from James I designating them as the King's Men and making them Grooms of the Chamber. Late in 1608 or early in 1609, Shakespeare and his colleagues purchased the Blackfriars Theatre and began using it as their winter location when weather made production at the Globe inconvenient.
Other specific allusions to Shakespeare, to his acting and his writing, occur in numerous places. Put together, they form irrefutable testimony that William Shakespeare of Stratford and London was the leader among Elizabethan playwrights.
One of the most impressive of all proofs of Shakespeare's authorship of his plays is the First Folio of 1623, with the dedicatory verse which appeared in it. John Heminge and Henry Condell, members of Shakespeare's own company, stated that they collected and issued the plays as a memorial to their fellow actor. Many contemporary poets contributed eulogies to Shakespeare; one of the best known of these poems is by Ben Jonson, a fellow actor and, later, a friendly rival. Jonson also criticized Shakespeare's dramatic work in Timber: or, Discoveries (1641).
Certainly there are many things about Shakespeare's genius and career which the most diligent scholars do not know and cannot explain, but the facts which do exist are sufficient to establish Shakespeare's identity as a man and his authorship of the thirty-seven plays which reputable critics acknowledge to be his. Someone obviously wrote these dramatic masterpieces, and Shakespeare remains the only candidate worthy of serious consideration.