As if to answer the hosts of critics who denounced the "vulgar untruths" they discovered in A Doll's House, Ibsen developed another facet of the same idea when he published Ghosts two years later.
According to Halvdan Koht, one of his biographers, "Mrs. Alving is in reality nothing but a Nora who has tried life and her inherited teachings and who has now taken a stand." Having sacrificed love for conformity, Mrs. Alving must face the tragic consequences of denying her personal needs.
In essence, the problems Ibsen probes in A Doll's House are the same as those of Ghosts: the relation between past and future, and the relationship between the race and community on one hand, and the individual on the other. Society perpetuates itself by handing down from one generation to another a set of beliefs and customs so that new individuals can take part in the culture and contribute to its perpetuation. Ibsen, however, shows how these principles may degenerate until they actually destroy the very individuals that the social system is created to protect and nurture. He insists that these "ghosts" of old beliefs and outdated piety must be reexamined in the light of each individual's experience; if not, the most gifted of society's children will face destruction.
Having himself suffered all his life under the conservatism of Norwegian provincialism, Ibsen personally found how such a society destroys the "joy of life" in its creative intellects leaving bitterness and frustration.