OF QUALITIES IMMEDIATELY AGREEABLE TO OURSELVES.
Whoever has passed an evening with serious melancholy people, and has observed how suddenly the conversation was animated, and what sprightliness diffused itself over the countenance, discourse, and behaviour of every one, on the accession of a good-humoured, lively companion; such a one will easily allow that cheerfulness carries great merit with it, and naturally conciliates the good- will of mankind. No quality, indeed, more readily communicates itself to all around; because no one has a greater propensity to display itself, in jovial talk and pleasant entertainment. The flame spreads through the whole circle; and the most sullen and morose are often caught by it. That the melancholy hate the merry, even though Horace says it, I have some difficulty to allow; because I have always observed that, where the jollity is moderate and decent, serious people are so much the more delighted, as it dissipates the gloom with which they are commonly oppressed, and gives them an unusual enjoyment.
From this influence of cheerfulness, both to communicate itself and to engage approbation, we may perceive that there is another set of mental qualities, which, without any utility or any tendency to farther good, either of the community or of the possessor, diffuse a satisfaction on the beholders, and procure friendship and regard. Their immediate sensation, to the person possessed of them, is agreeable. Others enter into the same humour, and catch the sentiment, by a contagion or natural sympathy; and as we cannot forbear loving whatever pleases, a kindly emotion arises towards the person who communicates so much satisfaction. He is a more animating spectacle; his presence diffuses over us more serene complacency and enjoyment; our imagination, entering into his feelings and disposition, is affected in a more agreeable manner than if a melancholy, dejected, sullen, anxious temper were presented to us. Hence the affection and probation which attend the former: the aversion and disgust with which we regard the latter.
[Footnote: There is no man, who, on particular occasions, is not affected with all the disagreeable passions, fear, anger, dejection, grief, melancholy, anxiety, &c. But these, so far as they are natural, and universal, make no difference between one man and another, and can never be the object of blame. It is only when the disposition gives a PROPENSITY to any of these disagreeable passions, that they disfigure the character, and by giving uneasiness, convey the sentiment of disapprobation to the spectator.]
Few men would envy the character which Caesar gives of Cassius:
He loves no play, As thou do'st, Anthony: he hears no music: Seldom he smiles; and smiles in such a sort, As if he mock'd himself, and scorn'd his spirit That could be mov'd to smile at any thing.
Not only such men, as Caesar adds, are commonly DANGEROUS, but also, having little enjoyment within themselves, they can never become agreeable to others, or contribute to social entertainment. In all polite nations and ages, a relish for pleasure, if accompanied with temperance and decency, is esteemed a considerable merit, even in the greatest men; and becomes still more requisite in those of inferior rank and character. It is an agreeable representation, which a French writer gives of the situation of his own mind in this particular, VIRTUE I LOVE, says he, WITHOUT AUSTERITY: PLEASURE WITHOUT EFFEMINACY: AND LIFE, WITHOUT FEARING ITS END. [Footnote: 'J'aime la vertu, sans rudesse; J'aime le plaisir, sans molesse; J'aime la vie, et n'en crains point la fin.'-ST. EVREMONT.]
Who is not struck with any signal instance of greatness of mind or dignity of character; with elevation of sentiment, disdain of slavery, and with that noble pride and spirit, which arises from conscious virtue? The sublime, says Longinus, is often nothing but the echo or image of magnanimity; and where this quality appears in any one, even though a syllable be not uttered, it excites our applause and admiration; as may be observed of the famous silence of Ajax in the Odyssey, which expresses more noble disdain and resolute indignation than any language can convey [Footnote: Cap. 9.].
WERE I Alexander, said Parmenio, I WOULD ACCEPT OF THESE OFFERS MADE BY DARIUS. SO WOULD I TOO, replied Alexander, WERE I PARMENIO. This saying is admirable, says Longinus, from a like principle. [Footnote: Idem.]
GO! cries the same hero to his soldiers, when they refused to follow him to the Indies, GO TELL YOUR COUNTRYMEN, THAT YOU LEFT Alexander COMPLETING THE CONQUESTOF THE WORLD. 'Alexander,' said the Prince of Conde, who always admired this passage, 'abandoned by his soldiers, among barbarians, not yet fully subdued, felt in himself such a dignity and right of empire, that he could not believe it possible that any one would refuse to obey him. Whether in Europe or in Asia, among Greeks or Persians, all was indifferent to him: wherever he found men, he fancied he should find subjects.'
The confident of Medea in the tragedy recommends caution and submission; and enumerating all the distresses of that unfortunate heroine, asks her, what she has to support her against her numerous and implacable enemies. MYSELF, replies she; MYSELF I SAY, AND IT IS ENOUGH. Boileau justly recommends this passage as an instance of true sublime [Footnote: Reflexion 10 sur Longin.].
When Phocion, the modest, the gentle Phocion, was led to execution, he turned to one of his fellow-sufferers, who was lamenting his own hard fate, IS IT NOT GLORY ENOUGH FOR YOU, says he, THAT YOU DIE WITH PHOCION? [Footnote: Plutarch in Phoc.]
Place in opposition the picture which Tacitus draws of Vitellius, fallen from empire, prolonging his ignominy from a wretched love of life, delivered over to the merciless rabble; tossed, buffeted, and kicked about; constrained, by their holding a poinard under his chin, to raise his head, and expose himself to every contumely. What abject infamy! What low humilation! Yet even here, says the historian, he discovered some symptoms of a mind not wholly degenerate. To a tribune, who insulted him, he replied, I AM STILL YOUR EMPEROR.
[Footnote: Tacit. hist. lib. iii. The author entering upon the narration, says, LANIATA VESTE, FOEDUM SPECACULUM DUCEBATUR, MULTIS INCREPANTIBUS, NULLO INLACRIMANTE: deformatitas exitus misericordiam abstulerat. To enter thoroughly into this method of thinking, we must make allowance for the ancient maxims, that no one ought to prolong his life after it became dishonourable; but, as he had always a right to dispose of it, it then became a duty to part with it.]
We never excuse the absolute want of spirit and dignity of character, or a proper sense of what is due to one's self, in society and the common intercourse of life. This vice constitutes what we properly call MEANNESS; when a man can submit to the basest slavery, in order to gain his ends; fawn upon those who abuse him; and degrade himself by intimacies and familiarities with undeserving inferiors. A certain degree of generous pride or self-value is so requisite, that the absence of it in the mind displeases, after the same manner as the want of a nose, eye, or any of the most material feature of the face or member of the body.
[Footnote: The absence of virtue may often be a vice; and that of the highest kind; as in the instance of ingratitude, as well as meanness. Where we expect a beauty, the disappointment gives an uneasy sensation, and produces a real deformity. An abjectness of character, likewise, is disgustful and contemptible in another view. Where a man has no sense of value in himself, we are not likely to have any higher esteem of him. And if the same person, who crouches to his superiors, is insolent to his inferiors (as often happens), this contrariety of behaviour, instead of correcting the former vice, aggravates it extremely by the addition of a vice still more odious. See Sect. VIII.]
The utility of courage, both to the public and to the person possessed of it, is an obvious foundation of merit. But to any one who duly considers of the matter, it will appear that this quality has a peculiar lustre, which it derives wholly from itself, and from that noble elevation inseparable from it. Its figure, drawn by painters and by poets, displays, in each feature, a sublimity and daring confidence; which catches the eye, engages the affections, and diffuses, by sympathy, a like sublimity of sentiment over every spectator.