The Young Man
Chesney Wold is shut up, carpets are rolled into great scrolls in corners of comfortless rooms, bright damask does penance in brown holland, carving and gilding puts on mortification, and the Dedlock ancestors retire from the light of day again. Around and around the house the leaves fall thick, but never fast, for they come circling down with a dead lightness that is sombre and slow. Let the gardener sweep and sweep the turf as he will, and press the leaves into full barrows, and wheel them off, still they lie ankle- deep. Howls the shrill wind round Chesney Wold; the sharp rain beats, the windows rattle, and the chimneys growl. Mists hide in the avenues, veil the points of view, and move in funeral-wise across the rising grounds. On all the house there is a cold, blank smell like the smell of a little church, though something dryer, suggesting that the dead and buried Dedlocks walk there in the long nights and leave the flavour of their graves behind them.
But the house in town, which is rarely in the same mind as Chesney Wold at the same time, seldom rejoicing when it rejoices or mourning when it mourns, expecting when a Dedlock dies — the house in town shines out awakened. As warm and bright as so much state may be, as delicately redolent of pleasant scents that bear no trace of winter as hothouse flowers can make it, soft and hushed so that the ticking of the clocks and the crisp burning of the fires alone disturb the stillness in the rooms, it seems to wrap those chilled bones of Sir Leicester's in rainbow-coloured wool. And Sir Leicester is glad to repose in dignified contentment before the great fire in the library, condescendingly perusing the backs of his books or honouring the fine arts with a glance of approbation. For he has his pictures, ancient and modern. Some of the Fancy Ball School in which art occasionally condescends to become a master, which would be best catalogued like the miscellaneous articles in a sale. As "Three high-backed chairs, a table and cover, long-necked bottle (containing wine), one flask, one Spanish female's costume, three-quarter face portrait of Miss Jogg the model, and a suit of armour containing Don Quixote." Or "One stone terrace (cracked), one gondola in distance, one Venetian senator's dress complete, richly embroidered white satin costume with profile portrait of Miss Jogg the model, one Scimitar superbly mounted in gold with jewelled handle, elaborate Moorish dress (very rare), and Othello."
Mr. Tulkinghorn comes and goes pretty often, there being estate business to do, leases to be renewed, and so on. He sees my Lady pretty often, too; and he and she are as composed, and as indifferent, and take as little heed of one another, as ever. Yet it may be that my Lady fears this Mr. Tulkinghorn and that he knows it. It may be that he pursues her doggedly and steadily, with no touch of compunction, remorse, or pity. It may be that her beauty and all the state and brilliancy surrounding her only gives him the greater zest for what he is set upon and makes him the more inflexible in it. Whether he be cold and cruel, whether immovable in what he has made his duty, whether absorbed in love of power, whether determined to have nothing hidden from him in ground where he has burrowed among secrets all his life, whether he in his heart despises the splendour of which he is a distant beam, whether he is always treasuring up slights and offences in the affability of his gorgeous clients — whether he be any of this, or all of this, it may be that my Lady had better have five thousand pairs of fashionable eyes upon her, in distrustful vigilance, than the two eyes of this rusty lawyer with his wisp of neckcloth and his dull black breeches tied with ribbons at the knees.
Sir Leicester sits in my Lady's room — that room in which Mr. Tulkinghorn read the affidavit in Jarndyce and Jarndyce — particularly complacent. My Lady, as on that day, sits before the fire with her screen in her hand. Sir Leicester is particularly complacent because he has found in his newspaper some congenial remarks bearing directly on the floodgates and the framework of society. They apply so happily to the late case that Sir Leicester has come from the library to my Lady's room expressly to read them aloud. "The man who wrote this article," he observes by way of preface, nodding at the fire as if he were nodding down at the man from a mount, "has a well-balanced mind."
The man's mind is not so well balanced but that he bores my Lady, who, after a languid effort to listen, or rather a languid resignation of herself to a show of listening, becomes distraught and falls into a contemplation of the fire as if it were her fire at Chesney Wold, and she had never left it. Sir Leicester, quite unconscious, reads on through his double eye-glass, occasionally stopping to remove his glass and express approval, as "Very true indeed," "Very properly put," "I have frequently made the same remark myself," invariably losing his place after each observation, and going up and down the column to find it again.
Sir Leicester is reading with infinite gravity and state when the door opens, and the Mercury in powder makes this strange announcement, "The young man, my Lady, of the name of Guppy."
Sir Leicester pauses, stares, repeats in a killing voice, "The young man of the name of Guppy?"
Looking round, he beholds the young man of the name of Guppy, much discomfited and not presenting a very impressive letter of introduction in his manner and appearance.
"Pray," says Sir Leicester to Mercury, "what do you mean by announcing with this abruptness a young man of the name of Guppy?"
"I beg your pardon, Sir Leicester, but my Lady said she would see the young man whenever he called. I was not aware that you were here, Sir Leicester."
With this apology, Mercury directs a scornful and indignant look at the young man of the name of Guppy which plainly says, "What do you come calling here for and getting ME into a row?"
"It's quite right. I gave him those directions," says my Lady. "Let the young man wait."
"By no means, my Lady. Since he has your orders to come, I will not interrupt you." Sir Leicester in his gallantry retires, rather declining to accept a bow from the young man as he goes out and majestically supposing him to be some shoemaker of intrusive appearance.
Lady Dedlock looks imperiously at her visitor when the servant has left the room, casting her eyes over him from head to foot. She suffers him to stand by the door and asks him what he wants.
"That your ladyship would have the kindness to oblige me with a little conversation," returns Mr. Guppy, embarrassed.
"You are, of course, the person who has written me so many letters?"
"Several, your ladyship. Several before your ladyship condescended to favour me with an answer."
"And could you not take the same means of rendering a Conversation unnecessary? Can you not still?"
Mr. Guppy screws his mouth into a silent "No!" and shakes his head.
"You have been strangely importunate. If it should appear, after all, that what you have to say does not concern me — and I don't know how it can, and don't expect that it will — you will allow me to cut you short with but little ceremony. Say what you have to say, if you please."
My Lady, with a careless toss of her screen, turns herself towards the fire again, sitting almost with her back to the young man of the name of Guppy.
"With your ladyship's permission, then," says the young man, "I will now enter on my business. Hem! I am, as I told your ladyship in my first letter, in the law. Being in the law, I have learnt the habit of not committing myself in writing, and therefore I did not mention to your ladyship the name of the firm with which I am connected and in which my standing — and I may add income — is tolerably good. I may now state to your ladyship, in confidence, that the name of that firm is Kenge and Carboy, of Lincoln's Inn, which may not be altogether unknown to your ladyship in connexion with the case in Chancery of Jarndyce and Jarndyce."