Once on shore, Huck finds himself at an impressive log house owned by the Grangerford family. After they are convinced that Huck is not a member of the Shepherdson family, the Grangerfords take Huck in, give him warm clothes, and feed him. Huck tells everyone that his name is George Jackson and that he fell off a passing steamboat.
The Grangerfords have a son named Buck, who is about Huck's age, and the two become close friends over the next few days. Huck admires the stately house with its large fireplaces, ornate door locks, and elaborate decor. The morbid paintings and poetry of Emmeline, a deceased daughter of the Grangerfords, also fascinate him.
Huck soon learns that the Grangerfords share a steamboat landing with another aristocratic family named Shepherdson. When Huck and Buck go hunting, Buck takes a shot at young Harney Shepherdson and misses. While the boys run away, Huck notices that Harney has a chance to shoot Buck but rides away instead. Huck wonders about Harney but finally decides he was going after his hat. In response to Huck's questions, Buck explains that the Grangerfords and Shepherdsons have been feuding for so long that no one remembers why it began in the first place.
After Huck delivers a message for Sophia Grangerford, he is taken over to the swamp by one of the family's many slaves. Among the trees, Huck finds Jim, who says that he has found the raft. The next day, Miss Sophia elopes with Harney Shepherdson. The bizarre feud escalates, and several men on both sides of the family are killed, including Buck. Huck regrets ever coming ashore and cannot tell us "all that happened" because it would make him sick to do so. He rejoins Jim, and the two decide a raft is the best home.
The introduction of the Grangerfords and Shepherdsons adds a new element of humor to Twain's novel. Whereas earlier Twain satirizes the actions of "common" townspeople, the stately families provide a perfect opportunity for Twain to burlesque the Southern code of chivalry and aristocracy of the antebellum South. The Grangerford's house represents a gaudy and tasteless display of wealth, and Huck's appreciation of the decor only adds to the humor. The decor that exemplifies the Grangerford's taste is the artistic work of Emmeline, the deceased daughter who pined away after failing to discover a rhyme for "Whistler." In contrast to Huck's practical fascination with death, Emmeline's work displays a romantic and sentimental obsession that even gives Huck the "fantods."
Twain also uses the families to underscore his subtle satire on religion, as the two families attend the same church, leaning their guns against the walls during the sermon about "brotherly love." The mixture of theology and gunplay is ironic, as is the family's subsequent reaction that the sermon was filled with positive messages about "faith and good work and free grace and preforeordestination." Twain's Calvinist background resurfaces in his combination of predestination and foreordination.
The feud between the Grangerfords and Shepherdsons is one of the more memorable chapters in Huck Finn because of its extreme violence. The fact that the two noble families do not know why they continue to fight is ironic, but the irony deepens when the families actually draw blood. Huck's casual observance turns into participation, and when he witnesses the death of his young friend, Buck, he is unable to recount the story to readers. The hated calls of "Kill them, kill them!" prompt Huck to wish that he had never gone ashore, despite his affection for the Grangerfords. The theme of death and brutality, then, is present in all facets of society, including the wealthy, and the peace of the river is never more apparent to Huck.
When Huck returns to the raft and he and Jim are safe, Huck wearily observes that " . . . there warn't no home like a raft, after all . . . . You feel mighty free and easy and comfortable on a raft." The unaffected statement solidifies the raft/shore dichotomy and reinforces the idea that society, despite its sophistication, is cruel and unjust.
dog-irons iron braces used to hold firewood.
Pilgrim's Progress a religious allegory by John Bunyan (1678).
mud-cat a catfish.
liberty-pole a tall flagstaff planted in the ground.
bowie a steel knife about fifteen inches long, with a single edge, usually carried in a sheath.
nip and tuck so close that the outcome is uncertain.
predestination the theological doctrine that God foreordained everything that would happen.
puncheon floor floor made of a heavy, broad piece of roughly dressed timber with one side hewed flat.