CliffsNotes on

The House on Mango Street & Woman Hollering Creek & Other Stories

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Book Summary

Sandra Cisneros Biography

Early Years and Education
Career and Writing
Recognition and Awards

About Cisneros' Work

Introduction
The House on Mango Street
"Woman Hollering Creek" and Other Stories
Cisneros' Writing Style

Summary and Analysis of The House on Mango Street

Part 1: The House on Mango Street; Hairs; Boys & Girls; My Name
Part 2: Cathy Queen of Cats; Our Good Day; Laughter; Gil's Furniture Bought & Sold; Meme Ortiz; Louie, His Cousin & His Other Cousin
Part 3: Marin; Those Who Don't; There Was an Old Woman She Had So Many Children She Didn't Know What to Do; Alicia Who Sees Mice
Part 4: Darius and the Clouds; And Some More; The Family of Little Feet; A Rice Sandwich; Chanclas
Part 5: Hips; The First Job; Papa Who Wakes Up Tired in the Dark; Born Bad; Elenita, Cards, Palm, Water
Part 6: Geraldo No Last Name; Edna's Ruthie; The Earl of Tennessee; Sire; Four Skinny Trees
Part 7: No Speak English; Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays; Sally; Minerva Writes Poems; Bums in the Attic
Part 8: Beautiful & Cruel; A Smart Cookie; What Sally Said; The Monkey Garden; Red Clowns
Part 9: Linoleum Roses; The Three Sisters; Alicia & I Talking on Edna's Steps; A House of My Own; Mango Street Says Goodbye Sometimes

Summary and Analysis of "Woman Hollering Creek" and Other Stories

My Friend Lucy Who Smells Like Corn
One Holy Night
There Was A Man, There Was A Woman — Part One
There Was A Man, There Was A Woman, Part Two
There Was A Man, There Was A Woman, Part Three
There Was A Man, There Was A Woman, Part Four

Character List

Character Map: The House on Mango Street

Character Analysis

Esperanza Cordero (The House on Mango Street)
Marin (The House on Mango Street)
Sally (The House on Mango Street)
Alicia (The House on Mango Street)
"Ixchel" ("One Holy Night")
Cleófilas ("Woman Hollering Creek")
Rosario (Chayo) De Leon ("Little Miracles, Kept Promises")

Critical Essays

Themes in Cisneros' Fiction
Form and Language as Characterization in Cisneros' Fiction

Study and Homework Help

Full Glossary for The House on Mango Street & "Woman Hollering Creek" & Other Stories
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Essay Questions
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Summary and Analysis of "Woman Hollering Creek" and Other Stories

My Friend Lucy Who Smells Like Corn

One of the things Cisneros does best in her fiction is to evoke the sensations — sights, sounds, smells, tastes, palpable feelings — of being a child. The young speakers in this section (including the speaker in "Tepeyac," who "becomes" an adult only as her story ends) are excellently realized because they notice particulars and report them: the smashed-bug-on-the-windshield color inside a cat's-eye marble, the stickiness of a melting orange Popsicle, a child's shadow falling on a movie screen, every item on every table at a sidewalk flea market (or an inclusive selection). They report as well the intense emotions of childhood (from doing "loopity-loops" inside to wanting to disappear) and, all in all, capture perfectly for the reader the essence of being a child. We are reminded of Sandra Cisneros' early determination to write out of (although not necessarily about) her own particular experience and are able to see how that experience informs her characters' voices with authenticity.

Perhaps it is important, then, to remember that these stories can be read on different levels. Cisneros' characters will speak directly and honestly to young readers and will remind older readers of feelings we have — if we were lucky — known once but probably forgotten. Readers who share Cisneros' Latino background may recognize her perspective, but readers of other backgrounds will hardly be puzzled by it.

Of course, one way to read some of these stories (for example, "My Lucy Friend . . . ," "Mexican Movies," "Barbie-Q") is to see the children as "deprived": a poor, dirty little girl in 79-cent K-Mart flip-flops, sleeping in a fold-out chair in her grandparents' living room, whose best friend is one of nine children living in a shack; children whose mother, after sitting on her feet at the movies to avoid rats, must carry the little boy and girl up to their third-floor walk-up; an eight-year-old boy who shoulders the responsibility for two younger brothers; a pair of young Chicanas who must cut holes in an old sock to dress their blue-eyed Barbie dolls.


Analysis: 1 2 3 4
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