Steppenwolf's first experience in the gallery is violent and symbolic. Steppenwolf has spent a considerable amount of time denigrating technology and scientific advancements. The wireless and the gramophone are just two examples. These inventions spoil art and mislead the masses. Up until this point, Steppenwolf has considered the idea of an individual listening to the wireless and/or dancing to the gramophone signs of mediocrity, in other words, bourgeois. However, when confronted with propaganda for both sides, he can't decide: "They were right, and I stood as deeply convinced in front of one as in front of the other. . . ."
Steppenwolf's reaction to the violence is the most profound aspect of the fantasy sequence. Once again, his actions within the gallery contradict his previous life. Steppenwolf has been labeled a traitor for his antiwar sentiments. He does not believe violence is a viable solution to any problem, either in the last war, or the one that he believes is coming. His behavior changes radically when he encounters Gustav. Suddenly, violence is not only acceptable, but desirable. At first it appears that the wolf has been released, but this is not necessarily true. Steppenwolf lays in wait for his victims, and then ambushes them with relish. Although he is predatory, Steppenwolf's behavior is more consistent with that of a cold calculated murderer rather than a wolf that pursues prey for food. One of his thousand souls is animated through this experience. He finds it both frightening and delightful.
