We read earlier that women as well as men were trained in warlike exercises, and we now learn that they accompanied their men into battle. The question of whether or not they bore arms and engaged in the actual slaughter is passed over, so the reader may draw his own conclusions. The idea of having women present on the battlefield was by no means a new one. Sometimes women were used to carry provisions for their warriors, a custom reported by Amerigo Vespucci from his travels among American Indian tribes. Sometimes the women merely served for moral support to the soldiers. Socrates had proposed having the women accompany their soldiers. Some records reveal that Germanic and Swiss armies brought women into the fight.
Judging from the types of weapons and the armor mentioned, the Utopians engaged in a rather archaic form of combat, Few specifics are supplied, but the impression given is not so much like a scene involving knights wearing gleaming armor, cap-à-pie, as it is like a skirmish beside the walls at Troy. The most curious feature is the absence of any mention of firearms. This is surprising in view of the fact that gunpowder had been introduced into warfare in a crude form a century and a half earlier and was coming into fairly general use by the beginning of the 16th century. Possibly, More reckoned that the use of cannons was a little too sophisticated for those remote islanders. Possibly, he had an aversion to that "villainous saltpeter" that was spoiling the heroics of knightly combat, much as Hotspur's messenger had. We know that Henry VIII retained his confidence in the longbow, believing it was a weapon England should rely on in its wars, because 25 years later he commissioned Roger Ascham to write a manual on archery to encourage its continued use.
In refraining from plundering captured cities or ravaging farms, the Utopians demonstrate a stage of progress toward civilized behavior that conforms to other aspects of their policies in conducting wars — that is, the attempt to minimize bloodshed in combat. The contrast between that type of behavior and the actual practices of armies forces us to acknowledge an element of satire throughout much of this section of the book. Less directly, but more subtly, than Erasmus in the Colloquies, More is exposing the evils of war.
