Underlying the aforementioned cultural themes is a theme of fate, or destiny. This theme is also played at the individual and societal levels. In the story, readers are frequently reminded about this theme in references to chi, the individual's personal god as well as his ultimate capability and destiny. Okonkwo, at his best, feels that his chi supports his ambition: "When a man says yes, his chi says yes also" (Chapter 4). At his worst, Okonkwo feels that his chi has let him down: His chi "was not made for great things. A man could not rise beyond the destiny of his chi. . . . Here was a man whose chi said nay despite his own affirmation" (Chapter 14).
At the societal level, the Igbos' lack of a unifying self-image and centralized leadership as well as their weakness in the treatment of some of their own people — both previously discussed — suggest the inevitable fate of becoming victim to colonization by a power eager to exploit its resources.
In addition to the three themes discussed in this essay, the thoughtful reader will probably be able to identify other themes in the novel: for example, the universality of human motives and emotions across cultures and time, and the need for balance between individual needs and community needs.
