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Critical Essays

Structure of The Sound and the Fury

But why must the Benjy section come first? First, all of the themes and ideas of the novel are presented in miniature in this section. If some other section came first, these ideas would lose their power. In addition, this section presents the earliest scenes, chronologically, of the novel. Benjy can record for us scenes occurring in 1898 with the vividness and freshness of their having just occurred. In the scenes at the branch (or stream), we see the muddy drawers, we see Quentin's attempt to protect Caddy, we see Benjy's ability to sense deviations, and we see Jason's isolation and dastardliness. These are characteristics that become the prominent traits in the characters as they grow up. Were this section to appear later in the novel, such scenes would lose their effectiveness.

Benjy's section presents the idea of the whole novel in miniature and also gives us a glimpse of the character traits of each of his brothers and sisters. If we had one of the other sections first, then it would be an afterthought to return to Benjy's section and hear about Mrs. Compson's whining neuroticism. Furthermore, Faulkner achieves a more powerful emotional impact by presenting Benjy's section first. For example, readers are aware of certain things through these scenes, but they don't fully understand them as they go through the section. Later, in one of the other sections, there is a sudden and overwhelming realization of what was actually happening in the Benjy section. This impact would lose its intensity if Benjy's section were not presented first.

There have also been some unusual justifications for the appearance of the Benjy section first. Among these is Carvel Collins' interpretation that Benjy represents the Freudian id of the family, and since the id is the most fundamental aspect of one's personality, it must come first.


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