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Summary, Analysis, and Original Text by Chapter

Book 1: The Three Women: Chapters 4–5

But the thick obscurity permitted only skylines to be visible of any scene at present. The water at the back of the house could be heard, idly spinning whirpools in its creep between the rows of dry feather-headed reeds which formed a stockade along each bank. Their presence was denoted by sounds as of a congregation praying humbly, produced by their rubbing against each other in the slow wind.

The window, whence the candlelight had shone up the vale to the eyes of the bonfire group, was uncurtained, but the sill lay too high for a pedestrian on the outside to look over it into the room. A vast shadow, in which could be dimly traced portions of a masculine contour, blotted half the ceiling.

"He seems to be at home," said Mrs. Yeobright.

"Must I come in, too, Aunt?" asked Thomasin faintly. "I suppose not; it would be wrong."

"You must come, certainly — to confront him, so that he may make no false representations to me. We shall not be five minutes in the house, and then we'll walk home."

Entering the open passage, she tapped at the door of the private parlour, unfastened it, and looked in.

The back and shoulders of a man came between Mrs. Yeobright's eyes and the fire. Wildeve, whose form it was, immediately turned, arose, and advanced to meet his visitors.

He was quite a young man, and of the two properties, form and motion, the latter first attracted the eye in him. The grace of his movement was singular — it was the pantomimic expression of a lady-killing career. Next came into notice the more material qualities, among which was a profuse crop of hair impending over the top of his face, lending to his forehead the high-cornered outline of an early Gothic shield; and a neck which was smooth and round as a cylinder. The lower half of his figure was of light build. Altogether he was one in whom no man would have seen anything to admire, and in whom no woman would have seen anything to dislike.


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