CliffsNotes on

The Killer Angels

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Michael Shaara Biography

Early Years and Education
Early Work
Final Years

About The Killer Angels

Summary and Analysis by Chapter

Foreword
Monday, June 29, 1863 — 1. The Spy
Monday, June 29, 1863 — 2. Chamberlain
Monday, June 29, 1863 — 3. Buford
Monday, June 29, 1863 — 4. Longstreet
Wednesday, July 1, 1863 — 1. Lee
Wednesday, July 1, 1863 — 2. Buford
Wednesday, July 1, 1863 — 3. Lee
Wednesday, July 1, 1863 — 4. Chamberlain
Wednesday, July 1, 1863 — 5. Longstreet
Wednesday, July 1, 1863 — 6. Lee
Wednesday, July 1, 1863 — 7. Buford
Thursday, July 2, 1863 — 1. Fremantle
Thursday, July 2, 1863 — 2. Chamberlain
Thursday, July 2, 1863 — 3. Longstreet
Thursday, July 2, 1863 — 4. Chamberlain
Thursday, July 2, 1863 — 5. Longstreet
Thursday, July 2, 1863 — 6. Lee
Friday, July 3, 1863 — 1. Chamberlain
Friday, July 3, 1863 — 2. Longstreet
Friday, July 3, 1863 — 3. Chamberlain
Friday, July 3, 1863 — 4. Armistead
Friday, July 3, 1863 — 5. Longstreet
Friday, July 3, 1863 — 6. Chamberlain
Afterword

Character List

Character Map

Character Analysis

Robert E. Lee
James Longstreet
Joshua Lawrence Chamberlain
John Buford

Critical Essays

The Killer Angels — History or Novel?
The Battle of Gettysburg — the Civilian Experience
Good versus Evil; Man versus Challenge
Questions as Theme
Emotions/Beliefs
The Lee versus Longstreet Battle Strategy Conflict

Study and Homework Help

Full Glossary for The Killer Angels
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Essay Questions

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Summary and Analysis by Chapter

Monday, June 29, 1863 — 1. The Spy

Several things are established in this first chapter: the prevailing attitudes in Southern society, character personalities and relationships, major story conflicts, and the style and strength of Shaara's writing.

The major ruling attitudes in the South are gentility, nobility, and honor. The commanders behave as gentlemen, and one's honor is more important than one's life. Battle is a means to glory in the South; it is executed with the same nobility, romance, and excitement as with the knights of old.

In this society, Harrison is a despised man. He is a spy and in the knightly company of Lee and his men, spies have no honor. Even worse, he is an actor, another calling looked down upon. Harrison is portrayed unfavorably, with Shaara using such imagery as "The spy slithered down from the horse . . . grinning foolishly."

Harrison is also a man of conflicts. On the one hand, he has risked his life to come through the Confederate lines at night to bring vital information. And he vehemently states he is a patriot and refers to himself as a "scout," not a spy. On the other hand, his thoughts and actions throughout the chapter show he is a very proud man. He boasts about the way he does his work — it is a dramatic performance as he points out to Longstreet — and he only wishes he had an audience to witness it. It is not clear if Harrison is truly a patriot, but it is clear he wants people to see how good he is. He repeatedly reminds Longstreet of how good his information is, and Harrison takes great delight in revealing each tidbit.


Analysis: 1 2 3 4 5
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