CliffsNotes on

The Killer Angels

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Michael Shaara Biography

Early Years and Education
Early Work
Final Years

About The Killer Angels

Summary and Analysis by Chapter

Foreword
Monday, June 29, 1863 — 1. The Spy
Monday, June 29, 1863 — 2. Chamberlain
Monday, June 29, 1863 — 3. Buford
Monday, June 29, 1863 — 4. Longstreet
Wednesday, July 1, 1863 — 1. Lee
Wednesday, July 1, 1863 — 2. Buford
Wednesday, July 1, 1863 — 3. Lee
Wednesday, July 1, 1863 — 4. Chamberlain
Wednesday, July 1, 1863 — 5. Longstreet
Wednesday, July 1, 1863 — 6. Lee
Wednesday, July 1, 1863 — 7. Buford
Thursday, July 2, 1863 — 1. Fremantle
Thursday, July 2, 1863 — 2. Chamberlain
Thursday, July 2, 1863 — 3. Longstreet
Thursday, July 2, 1863 — 4. Chamberlain
Thursday, July 2, 1863 — 5. Longstreet
Thursday, July 2, 1863 — 6. Lee
Friday, July 3, 1863 — 1. Chamberlain
Friday, July 3, 1863 — 2. Longstreet
Friday, July 3, 1863 — 3. Chamberlain
Friday, July 3, 1863 — 4. Armistead
Friday, July 3, 1863 — 5. Longstreet
Friday, July 3, 1863 — 6. Chamberlain
Afterword

Character List

Character Map

Character Analysis

Robert E. Lee
James Longstreet
Joshua Lawrence Chamberlain
John Buford

Critical Essays

The Killer Angels — History or Novel?
The Battle of Gettysburg — the Civilian Experience
Good versus Evil; Man versus Challenge
Questions as Theme
Emotions/Beliefs
The Lee versus Longstreet Battle Strategy Conflict

Study and Homework Help

Full Glossary for The Killer Angels
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Essay Questions

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Summary and Analysis by Chapter

Friday, July 3, 1863 — 2. Longstreet

Shaara's descriptions convey moods effectively. He describes Lee arriving in the rainy mists: " . . . there was a ghostly quality in the look of him, of all his staff, ghost riders out of the past, sabers clanking . . ." In another interchange, there is no mistaking Lee's mood and emotional power: "He looked back at Longstreet for one long moment, straight into his eyes, fixing Longstreet with the black stare, the eyes of the General . . . Longstreet drew his head in, like a turtle." Without actually stating it, Shaara shows us there is no arguing with Lee.

On the other hand, Shaara uses some very jarring shifts in point of view. At the end of this chapter, Longstreet is in agony. The last paragraph starts with Longstreet closing his eyes and then suddenly shifts to Fremantle and what he is thinking. While these shifts are infrequent in the book, they are disorienting when they appear.

Shaara also portrays Lee and Longstreet's father-son relationship: When Lee stares him down, Longstreet reacts like a child admonished by a stern father. Longstreet both needs to receive Lee's paternal nurturing and needs to take care of Lee. He is afraid of displeasing the man, and at the same time, has a deep concern for Lee's health and well-being. Longstreet will not abandon Lee even though he wants to quit.


Analysis: 1 2 3
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