CliffsNotes on

The Killer Angels

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Michael Shaara Biography

Early Years and Education
Early Work
Final Years

About The Killer Angels

Summary and Analysis by Chapter

Foreword
Monday, June 29, 1863 — 1. The Spy
Monday, June 29, 1863 — 2. Chamberlain
Monday, June 29, 1863 — 3. Buford
Monday, June 29, 1863 — 4. Longstreet
Wednesday, July 1, 1863 — 1. Lee
Wednesday, July 1, 1863 — 2. Buford
Wednesday, July 1, 1863 — 3. Lee
Wednesday, July 1, 1863 — 4. Chamberlain
Wednesday, July 1, 1863 — 5. Longstreet
Wednesday, July 1, 1863 — 6. Lee
Wednesday, July 1, 1863 — 7. Buford
Thursday, July 2, 1863 — 1. Fremantle
Thursday, July 2, 1863 — 2. Chamberlain
Thursday, July 2, 1863 — 3. Longstreet
Thursday, July 2, 1863 — 4. Chamberlain
Thursday, July 2, 1863 — 5. Longstreet
Thursday, July 2, 1863 — 6. Lee
Friday, July 3, 1863 — 1. Chamberlain
Friday, July 3, 1863 — 2. Longstreet
Friday, July 3, 1863 — 3. Chamberlain
Friday, July 3, 1863 — 4. Armistead
Friday, July 3, 1863 — 5. Longstreet
Friday, July 3, 1863 — 6. Chamberlain
Afterword

Character List

Character Map

Character Analysis

Robert E. Lee
James Longstreet
Joshua Lawrence Chamberlain
John Buford

Critical Essays

The Killer Angels — History or Novel?
The Battle of Gettysburg — the Civilian Experience
Good versus Evil; Man versus Challenge
Questions as Theme
Emotions/Beliefs
The Lee versus Longstreet Battle Strategy Conflict

Study and Homework Help

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Essay Questions

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Critical Essays

Questions as Theme

Why explore that place? Through stories, you can magnify a portion of life, examine it in detail, and hope to understand something about it. In the struggles of a story, you see the struggles of your life. If you find answers to the problems of a story, you find answers to something about life. An immense story about a bloody battle with its extremes of emotion, conflict, and action may provide answers to some of the larger and more universal questions everyone faces.

Why the particular framework, events, and people? The framework allows the author to tell the story through the words and emotions of the men themselves. By fictionalizing the characters, Shaara can use their words, deeds, and thoughts to make them real and meaningful.

Shaara indicates that he avoided using any historical or military commentaries on the battle when he researched the novel. He wanted, instead, to feel it through the people that were there, so he used their letters and personal documents as sources.

The events selected are a result of the characters Shaara focuses on. Gettysburg was a huge battle with thousands of participants and hundreds of things happening at once. To try to show them all would make it impossible for the reader to feel any personal or emotional connection.

Instead, Shaara picks a few key characters to represent and portray the struggles, emotions, and story of the entire battle. The characters he chooses show the battle from both sides, from all levels of command, and from the sidelines as well as the middle of the fighting.


Questions as Theme: 1 2 3 4 5
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