CliffsNotes on

The Killer Angels

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Michael Shaara Biography

Early Years and Education
Early Work
Final Years

About The Killer Angels

Summary and Analysis by Chapter

Foreword
Monday, June 29, 1863 — 1. The Spy
Monday, June 29, 1863 — 2. Chamberlain
Monday, June 29, 1863 — 3. Buford
Monday, June 29, 1863 — 4. Longstreet
Wednesday, July 1, 1863 — 1. Lee
Wednesday, July 1, 1863 — 2. Buford
Wednesday, July 1, 1863 — 3. Lee
Wednesday, July 1, 1863 — 4. Chamberlain
Wednesday, July 1, 1863 — 5. Longstreet
Wednesday, July 1, 1863 — 6. Lee
Wednesday, July 1, 1863 — 7. Buford
Thursday, July 2, 1863 — 1. Fremantle
Thursday, July 2, 1863 — 2. Chamberlain
Thursday, July 2, 1863 — 3. Longstreet
Thursday, July 2, 1863 — 4. Chamberlain
Thursday, July 2, 1863 — 5. Longstreet
Thursday, July 2, 1863 — 6. Lee
Friday, July 3, 1863 — 1. Chamberlain
Friday, July 3, 1863 — 2. Longstreet
Friday, July 3, 1863 — 3. Chamberlain
Friday, July 3, 1863 — 4. Armistead
Friday, July 3, 1863 — 5. Longstreet
Friday, July 3, 1863 — 6. Chamberlain
Afterword

Character List

Character Map

Character Analysis

Robert E. Lee
James Longstreet
Joshua Lawrence Chamberlain
John Buford

Critical Essays

The Killer Angels — History or Novel?
The Battle of Gettysburg — the Civilian Experience
Good versus Evil; Man versus Challenge
Questions as Theme
Emotions/Beliefs
The Lee versus Longstreet Battle Strategy Conflict

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Critical Essays

Emotions/Beliefs

The era of the Civil War was a time of strongly held beliefs, deep emotions, and grandiose actions. By today's standards, some of it may seem trite or excessive, but for that time, it was sincere. Some of the themes in this area are

Class structure: Class distinctions are very strong, especially in the South. It is an aristocratic structure where gentlemen are an exclusive club, and to be a Virginian is the best. They are refined, wealthy, powerful, and ruled by a code of chivalry. Honor is everything, and a man would die to save or recover his honor. This theme figures prominently in many of the Southern characters in the story, especially Armistead, Garnett, and Pickett. It is also something the Englishman, Fremantle, recognizes at once and admires for its closeness to England.

The North is just the opposite. The class constraints of the Old World are despised and rejected. Instead, the culture is composed of immigrants seeking freedom from that world. They want only the chance to be judged for who they are and what they can do, not who their father was. The character of Kilrain portrays this very strongly, as does Buford, whose comments and observations about "gentlemen" and their methods of battle, are laced with sarcasm.


Emotions/Beliefs: 1 2 3
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