The magnetism of Professor John Ruskin, author of Modern Painters and The Stones of Venice, attracted Wilde's imagination. Ruskin believed civilizations could be judged by their art, which must consider and reflect moral values. Ruskin also stirred Wilde's aristocratic soul with social concerns in his insistence that his students identify with the working class and do manual labor. His influence on Wilde's social conscience is undeniable, and it permeates Wilde's plays and his essay, "The Soul of Man Under Socialism." Wilde did not, however, agree with Ruskin on the moral purposes of art. Influenced by Keats and his ideas of truth and beauty, he believed art should be loved and appreciated for its own sake.
Yet another Oxford influence was Professor Walter Pater, author of Studies in the History of the Renaissance and Marius the Epicurian. His prose style influenced young Wilde, and his ideas seemed to fit Wilde's new-found proclivities. Pater emphasized art for art's sake and urged his students to live with passion and for sensual pleasure, testing new ideas and not conforming to the orthodoxy. Pater was planting seeds in fertile ground. The Aesthetic Movement, an avant-garde philosophy of the 1870s, was in full bloom, and its advocates were critical of the heavy, moralistic Victorian taste. They wanted to pursue forms of beauty in opposition to the art and architecture of the day. Wilde could not agree more. He went overboard into aesthetics, adopting extravagant clothing styles, which continued when he left Oxford for London in 1878. He thought of himself as an aesthete, poet, writer, and nonconformist — and he wanted to be famous or at least infamous.
A third influence on Wilde at Oxford was Mahaffy, an Oxford professor of ancient history. Professor Mahaffy took him along on trips to Italy and Greece.
