The contrast between Achilles and Hektor that weaves its way throughout the Iliad is really Homer’s means of developing the conflict between individual values versus societal values. Achilles embodies the individual, alienated from his society, operating within the framework of his own code of pride and honor. He tends to represent passion and emotion. Like so many great epic heroes, he is ultimately not understandable. In contrast, Hektor, the great Trojan hero, is more human. He tends to exemplify reason over passion. He has a wife and son. He fights to save his city even though he knows the basis for the quarrel (Paris/Helen) is not worthy of the resulting destruction. Even in war, Hektor demonstrates more human qualities than Achilles. He hesitates; he gives ground; he is wounded; in the moment of crisis, he runs. Readers see more of themselves in Hektor, the family man who cares about his commitments. Achilles, the estranged loner, lies outside the reader’s comprehension.
Homer develops his comparison between the value systems of these two warriors. However, no simple explanation is possible. Achilles defeats Hektor, but Hektor is more understandable, and, in most cases, more admirable. Neither one “wins” in the sense that the ideas embodied in his character predominate at the end of the poem. In fact, the ideals and values of both characters are criticized and extolled. If the contrasting values of the individual versus society produce meaning, it is that both are necessary for a fully functioning community.
In terms of values, Hektor clearly upholds the norms of society. Book VI is justly famous for its presentation of Hektor with those close to him—his mother, Hekuba; his wife, Andromache; and his son, Astyanax. In this book there exists a tenderness and intimacy of feeling that occurs nowhere else in the Iliad. Society depends on the bonds of love and family, and Hektor encompasses and fights for those bonds. Andromache seems to urge Hektor to leave the battle, but fleeing destroys the values of the society even more surely than fighting and losing does.
In contrast, Achilles has only Briseis, a prize of war. She is a slave/concubine, and while she evinces emotion toward Achilles and Patroklos, there is no real relationship between them. Achilles withdraws from battle because of Briseis, but only because he feels cheated of booty. Achilles is the individual, acting on the basis of a personal code, with little concern for how his actions may affect the greater community. Achilles follows his personal feelings without regard for the consequences on the community at large; Hektor sees his actions within the context of the overall community.
In terms of motive, Hektor is once again more understandable. Hektor is motivated by responsibility and obligation. He may want to remain in the city with Andromache and Astyanax, but he knows his obligation is on the battlefield. He impresses the same obligation on Paris. Hektor runs from Achilles, but a sense of obligation, spurred by Athena, makes him turn. Hektor, the societal hero, makes decisions based on reason, and, in fact, his reason and sense of duty can overcome the emotions of fear and panic.
Achilles, in contrast, withdraws from battle over a slight. He returns for revenge. His motivations seem to be superficial, based on booty and more deeply on idiosyncrasy. The individual hero fights for his own reasons that others may not understand. When Achilles determines to fight, the outcome for himself and for others is secondary to his goal. Achilles even argues against eating before the battle, so single-minded is he after the death of Patroklos. Hektor’s steadfastness in the face of fear is admirable; but overall, the maniacal manner of Achilles is more impressive and effective.
Finally, Hektor is more human. He questions himself in battle. He is not invincible, as his battle with Aias shows. He longs for peace, and he desperately fears the towering rage of Achilles. In simple terms he is a human hero with human faults. Achilles, in many ways, lacks ordinary human feelings. He remains on the sidelines when his friends beg him to return. In battle he is superhuman with no care for his own safety. He fears ignominious death from the River God but not death. Achilles’ only human feelings are revealed when he returns Hektor’s body to Priam.
In the end, this contrast between Hektor and Achilles shows the contrast between the values of the individual and the values of society. By the end of the Trojan War, both Hektor and Achilles are dead. Neither warrior by himself embodies the values that result in ultimate success. Perhaps those values inhere that most crafty warrior, Odysseus, who has a more perfect blending of individual skill and human emotion. In the Iliad, we may say that Hektor would make a better neighbor but Achilles a better soldier. Homer shows the need for both.
