CliffsNotes on

The House on Mango Street & Woman Hollering Creek & Other Stories

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Book Summary

Sandra Cisneros Biography

Early Years and Education
Career and Writing
Recognition and Awards

About Cisneros' Work

Introduction
The House on Mango Street
"Woman Hollering Creek" and Other Stories
Cisneros' Writing Style

Summary and Analysis of The House on Mango Street

Part 1: The House on Mango Street; Hairs; Boys & Girls; My Name
Part 2: Cathy Queen of Cats; Our Good Day; Laughter; Gil's Furniture Bought & Sold; Meme Ortiz; Louie, His Cousin & His Other Cousin
Part 3: Marin; Those Who Don't; There Was an Old Woman She Had So Many Children She Didn't Know What to Do; Alicia Who Sees Mice
Part 4: Darius and the Clouds; And Some More; The Family of Little Feet; A Rice Sandwich; Chanclas
Part 5: Hips; The First Job; Papa Who Wakes Up Tired in the Dark; Born Bad; Elenita, Cards, Palm, Water
Part 6: Geraldo No Last Name; Edna's Ruthie; The Earl of Tennessee; Sire; Four Skinny Trees
Part 7: No Speak English; Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays; Sally; Minerva Writes Poems; Bums in the Attic
Part 8: Beautiful & Cruel; A Smart Cookie; What Sally Said; The Monkey Garden; Red Clowns
Part 9: Linoleum Roses; The Three Sisters; Alicia & I Talking on Edna's Steps; A House of My Own; Mango Street Says Goodbye Sometimes

Summary and Analysis of "Woman Hollering Creek" and Other Stories

My Friend Lucy Who Smells Like Corn
One Holy Night
There Was A Man, There Was A Woman — Part One
There Was A Man, There Was A Woman, Part Two
There Was A Man, There Was A Woman, Part Three
There Was A Man, There Was A Woman, Part Four

Character List

Character Map: The House on Mango Street

Character Analysis

Esperanza Cordero (The House on Mango Street)
Marin (The House on Mango Street)
Sally (The House on Mango Street)
Alicia (The House on Mango Street)
"Ixchel" ("One Holy Night")
Cleófilas ("Woman Hollering Creek")
Rosario (Chayo) De Leon ("Little Miracles, Kept Promises")

Critical Essays

Themes in Cisneros' Fiction
Form and Language as Characterization in Cisneros' Fiction

Study and Homework Help

Full Glossary for The House on Mango Street & "Woman Hollering Creek" & Other Stories
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Summary and Analysis of The House on Mango Street

Part 3: Marin; Those Who Don't; There Was an Old Woman She Had So Many Children She Didn't Know What to Do; Alicia Who Sees Mice

This group of chapters begins with Louie's cousin Marin and ends with Alicia. Although Marin will all but disappear from the book after our introduction to her, she and Alicia — and Rosa Vargas — are important in that they are all older than Esperanza, all potential "role models" because they are women she knows, female participants in her culture, at a time when she has begun to turn away from her own mother and female relatives and to look elsewhere for clues about who she will be. Marin, although in fact still a child in many ways, has entered the world of womanhood before Esperanza and has become one of the younger girl's guides. As such, although Esperanza's parents would certainly do their best to discourage such a development, Marin represents a very real possibility for Esperanza's future.

Before the 1970s, many working-class girls, urban and rural, stopped attending school after the eighth grade. Abortion was illegal, bearing a child out of wedlock was considered shameful, and young women frequently married at 14 or 15; a 13-year-old bride was not unheard of, especially in communities where many parents and grandparents were immigrants to the U.S. from places where an educated woman was something of a curiosity in any but the wealthiest classes. Given this, Marin must be very young indeed to want to conceal her marriage plans from her family: perhaps a year older than Esperanza, 12-going-on-13 and physically mature for her age; or perhaps two years older than Esperanza and emotionally younger than her age-mates. In any case, Marin's family in Puerto Rico has sent her to live with an aunt in the U.S. for some reason, and now the aunt's family says she's "too much trouble" — despite the fact that she baby-sits while her aunt works — and wants to send her back. That trouble sounds like boy trouble, probably the same kind of boy trouble that got Marin sent to live with her aunt in the first place. Her family, fearing an unwanted pregnancy, separated her from her jobless boyfriend; now her aunt would like to get Marin off her hands in the same condition she arrived in. And Marin is a boy-crazy girl.


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