CliffsNotes on

The House on Mango Street & Woman Hollering Creek & Other Stories

Search this CliffsNote

Book Summary

Sandra Cisneros Biography

Early Years and Education
Career and Writing
Recognition and Awards

About Cisneros' Work

Introduction
The House on Mango Street
"Woman Hollering Creek" and Other Stories
Cisneros' Writing Style

Summary and Analysis of The House on Mango Street

Part 1: The House on Mango Street; Hairs; Boys & Girls; My Name
Part 2: Cathy Queen of Cats; Our Good Day; Laughter; Gil's Furniture Bought & Sold; Meme Ortiz; Louie, His Cousin & His Other Cousin
Part 3: Marin; Those Who Don't; There Was an Old Woman She Had So Many Children She Didn't Know What to Do; Alicia Who Sees Mice
Part 4: Darius and the Clouds; And Some More; The Family of Little Feet; A Rice Sandwich; Chanclas
Part 5: Hips; The First Job; Papa Who Wakes Up Tired in the Dark; Born Bad; Elenita, Cards, Palm, Water
Part 6: Geraldo No Last Name; Edna's Ruthie; The Earl of Tennessee; Sire; Four Skinny Trees
Part 7: No Speak English; Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays; Sally; Minerva Writes Poems; Bums in the Attic
Part 8: Beautiful & Cruel; A Smart Cookie; What Sally Said; The Monkey Garden; Red Clowns
Part 9: Linoleum Roses; The Three Sisters; Alicia & I Talking on Edna's Steps; A House of My Own; Mango Street Says Goodbye Sometimes

Summary and Analysis of "Woman Hollering Creek" and Other Stories

My Friend Lucy Who Smells Like Corn
One Holy Night
There Was A Man, There Was A Woman — Part One
There Was A Man, There Was A Woman, Part Two
There Was A Man, There Was A Woman, Part Three
There Was A Man, There Was A Woman, Part Four

Character List

Character Map: The House on Mango Street

Character Analysis

Esperanza Cordero (The House on Mango Street)
Marin (The House on Mango Street)
Sally (The House on Mango Street)
Alicia (The House on Mango Street)
"Ixchel" ("One Holy Night")
Cleófilas ("Woman Hollering Creek")
Rosario (Chayo) De Leon ("Little Miracles, Kept Promises")

Critical Essays

Themes in Cisneros' Fiction
Form and Language as Characterization in Cisneros' Fiction

Study and Homework Help

Full Glossary for The House on Mango Street & "Woman Hollering Creek" & Other Stories
Quiz
Essay Questions
Practice Projects

Cite this Literature Note

CliffsNotes To Go Sweepstakes -- Enter Now to Win an iPod touch Loaded with Cliffs Study Apps

Did "New Moon" change your allegiance to the Twilight characters?

Still Team Edward
Still Team Jacob
Switched from Team Edward to Team Jacob
Switched from Team Jacob to Team Edward
I still cannot decide!

View Results

Summary and Analysis of The House on Mango Street

Part 1: The House on Mango Street; Hairs; Boys & Girls; My Name

The first four chapters have little or no plot action and minimal — although valuable — exposition: We learn the names of the speaker and her siblings and something about their ages and birth order (Kiki is the youngest of the four, he and Carlos are "best friends" — so it's a safe guess that Carlos, too, is younger than Esperanza — and Nenny is younger as well, so Esperanza must be the eldest). We learn something about the family's ethnicity and socio-economic status. But most of what happens in these first four chapters is our introduction to Esperanza.

As the narrator, Esperanza speaks to her audience (the reader) with a total absence of self-consciousness. To whom is Esperanza speaking/writing? Although sometimes she records feelings and impressions in a manner that suggests a private journal or diary, more often she includes information that a diarist (especially a child) would probably deem unnecessary. She will occasionally address other characters directly, but for the most part, what she says and the way she says it suggests that the hearer/reader she has in mind is someone like herself, a girl her own age who does not know her but who understands what she is saying because the two are simpático. In other words, she seems consciously or unconsciously to be addressing the "best friend" she has not yet met.

What Esperanza tells directly about herself here is relatively little; what she tells indirectly is a good deal more informative. First of all, she is at this point a child, although in certain ways, she is older than her years. She still gets in bed with her parents for comfort; she enumerates small differences among family members that prove each is an individual. Part of her self-identity is as an older sister. She feels responsible for guiding Nenny, although there is a lack of sympathy between her and her sister.


Analysis: 1 2
CliffsNotes® To Go
Literature reviews for the iPhone™ & iPod touch® help you study anywhere, anytime.
Learn more now!
The Ultimate Learning Experience!
WATCH the film and READ the lit note for a fast way to study!
Learn more!