Chapter 3 is, in many ways, like Chapter 2, moving from one party to another, encouraging the juxtaposition of the two events. Tom’s party and Gatsby’s party are quite different, although in some ways alike, encouraging the reader to explore in what ways the two men are also similar. The purpose of Chapter 3 is, also like Chapter 2, to provide essential background, although this time it is Gatsby who is introduced. By inserting the chapter about Tom, Fitzgerald has effectively held off introducing the story’s main character, helping to build an air of mystery around him, not unlike the mystery that Nick and the others initially associate with him, and by keeping the reader from meeting Gatsby, Fitzgerald links the reader even more closely to Nick. However, the information is sketchy—later chapters help to round out the picture of him: who he is and where he comes from.
Nick tells of Gatsby’s parties, elaborate and grand affairs that attract entertainers, socialites, and even ordinary people. Gatsby is a perfect host, generous and hospitable. In fact, he is courteous to the point of being taken advantage of. People routinely come to his house for the parties, but also to use his boats, his plane, his cars, and so on. Gatsby must not mind all his guests, however, because every weekend continues in the same patterns of excess and opulence as he provides his guests with only the finest food, drink, and entertainment.
Nick, living next door to Gatsby, has been observing the parties at a distance, as a casual observer, but in Chapter 3 he is officially invited to attend one. As he moves from being a spectator to being a participant, Nick is able to provide an informed view of not only what goes on at Gatsby’s parties, but also what the partygoers themselves are like. When Nick reveals that he is one of the few invited guests at the party, this little detail tells quite a lot: It signals that in some yet unexplained way, Nick is set apart from the typical party guest. Despite living next door to Gatsby, he has never succumbed to the urge to crash one of the parties (which would have been easy enough to do, given the way in which people come and go from Gatsby’s affairs). Perhaps it is Nick’s Midwestern roots and their implied propriety that keep him at a distance, but regardless, his sense of decorum shows brightly throughout this scene, helping readers see him as a character with integrity.
Having Nick at Gatsby’s party provides an unprecedented chance to peer into the lives of the seemingly well-to-do people who attend. The impression is not very appealing. It turns out that the glamorous and glib party guests are, in fact, quite shallow. Nick says that they “conducted themselves according to the rules of behavior associated with amusement parks,” again stressing the carefree, stereotypical roaring ’20s atmosphere. Much to the partygoers’ discredit, however, “sometimes they came and went without having met Gatsby at all.” In stark contrast, Nick “as soon as [he] arrived . . . made an attempt to find [his] host.” He had little luck, however, because no one could help him. In fact, when Nick asks people for help in finding Gatsby, they can only look at him “in such an amazed way” and vehemently deny “any knowledge of his movements,” again setting a stark contrast between himself and the people he tells us about.
The only person Nick encounters at the party whom he knows is Jordan Baker. The mere fact that Jordan is at the party suggests that she is, in some ways (ways that are explored later in this chapter and beyond) an extension of the party-going set. Although little is known of her, up to this point, her presence at the mansion suggests that she likely runs with the sort of people who frequent Gatsby’s house. She seems intrigued by Nick, however, just as he is intrigued by her, for reasons that remain unstated. Perhaps she finds Nick a welcome relief to the kinds of men she generally meets, or perhaps she is drawn to his Midwestern sensibility, for it is clear he doesn’t yet blend in with the East Coast crowd. Whatever it is that draws her to him, she has never before been involved with anyone quite like Nick (this is especially brought out in Chapters 8 and 9).
While Nick and Jordan mingle at Gatsby’s party, they learn many intriguing things about their host, and everything they learn underscores the idea of reality versus rumor that underlies so much of The Great Gatsby. One of the first things the couple find out is that when one partygoer tore a dress at a party, Gatsby sent her a new evening gown worth a small fortune. Nick and Jordan also discover that part of the Gatsby mythos is that “he killed a man once.” Another romantic rumor places Gatsby as “a German spy during the war.” How interesting that no one really knows much about Gatsby! In a way, it is a sad commentary on the people attending the party: Can they really care so little about their host that they don’t even have the common courtesy to find the difference between fiction and fact? Instead, they believe what is convenient or easy for them, creating a version of Jay Gatsby that meets their ideals. Ironically, the guests’ construction of their host is not unlike how the host himself, as is later revealed, has constructed himself.
As Nick and Jordan saunter around, they also shed more light on the partygoers themselves. For example, while Nick and Jordan explore the house (under the pretense, at least, of looking for Gatsby), they meet a man know throughout the book as “Owl Eyes” due to his glasses. Two things are striking about him. First, he seems impressed that the books in Gatsby’s library are real. Although this may seem merely a careless remark, in fact, it speaks volumes. Gatsby, unlike Tom, is “new money,” and Owl Eyes knows it. Clearly he has spent a great deal of time among the nouveaux riches and knows them well enough to know that they are, by and large, about appearances. He is surprised that the books are real, expecting, instead, for them to “be a nice durable cardboard,” giving the illusion of a library where none really exists. Instead, Gatsby does indeed have real books. Everything in the house, Gatsby reveals later, has been painstakingly chosen to create an image of affluence. The second revealing statement Owl Eyes makes is that he’s “been drunk for about a week now.” In this respect, he is a perfect poster boy for the Jazz Age, drunk to incapacitation for weeks on end.
