As the current Receiver of Memory transmits the first memory to Jonas, Lowry's style of writing changes. Up to this point, her style has been straightforward — clear and uncomplicated. However, all of the memories, which we understand through Jonas' interpretations of them, are lyrical because Jonas' thoughts, feelings, and moods are portrayed, as are the vivid images of what he experiences. For example, to describe Jonas' ride on the sled, Lowry gives us sensory impressions by using lyrical phrases such as "the sharp intake of frigid air" and "cold swirling around his entire body"; snowflakes are "tiny, cold, featherlike feelings," Jonas holds a "rough, damp rope," and the snowstorm looks like a "bright, whirling torrent of crystals." Because Jonas has never experienced snow, his sensations are unexplainable, but he feels a sense of peace at the conclusion of receiving the memory.
After Jonas receives the memory of the sled ride, he asks about the snow and the hills. The current Receiver, who later tells Jonas to call him The Giver, explains that generations ago, when the people chose Sameness, they also chose Climate Control and a flat terrain because the community could produce more food, and transportation would be easier and faster without hills, curves, and hazardous weather. The people believed that Sameness would benefit the community. Jonas expresses his wish that he and everyone else in the community had the option to choose. But, as The Giver reminds him, the people did choose: They chose Sameness. Lowry once again returns to a key theme in the novel. When people choose Sameness and security, they give up their individuality and the freedom to make further choices. Instead, all further choices are made for them.
