Roark, meanwhile, struggles to find employment after Cameron's retirement. His brief tenure at Francon's firm ends when he refuses to design as Francon wishes him to. For a long period of time, Roark cannot find employment with any architect. Eventually, he is hired by John Erik Snyte, an eclectic builder who is not wedded to any specific school of design. Snyte is content to give the public whatever it desires. He employs specialists in various schools of design — Classical, Gothic, Renaissance — and wants Roark to be his modernist. Snyte allows his designers freedom to design in their specialties, but then combines their ideas into one finished product of clashing principles. Roark can design as he likes at Snyte's, but he will never see a building erected as he creates it. Eventually, the newspaperman, Austen Heller, recognizes his talent and hires him to build a private home. Roark opens his own office, but his designs are too revolutionary, and he receives very few commissions. When Roark turns down the commission for the important Manhattan Bank Building rather than permit the adulteration of his design, he is destitute. He closes his office temporarily and goes to work in a granite quarry in Connecticut.
The quarry is owned by Guy Francon. That summer, Dominique vacations at the family estate bordering the property. Upon meeting Roark, Dominique notices immediately the taut lines of his body and the scornful look of his eyes. Though at a conscious level, Dominique believes he may be an ex-convict like others of the work gang, at some deeper level she knows better. The way he holds himself and moves, his posture and mannerisms, his countenance and the look in his eyes all convey a proud dignity that would not stoop to the commission of crimes. She is deeply drawn to him and initiates a pursuit that results in their passionate lovemaking. But despite her profound attraction and aggressive pursuit, she is afraid of a love relationship with him. She ardently desires their sexual relationship, but almost as intensely fears it. She both physically resists Roark when he finally comes to her and experiences their lovemaking — "the thing she had thought about, had expected" — as the most powerful experience of her life. Dominique's inner conflict torments her, and, despite the love between them, it is years before they can happily be together. Before their relationship fully gets under way at the quarry, Roark's whereabouts are discovered by Roger Enright, an innovative businessman who wants Roark to design a new type of apartment building. Roark leaves the quarry and returns to New York. Even then, he finds himself thinking of Dominique.


















