About The Divine Comedy: Inferno

Background of The Divine Comedy: Inferno

The rivalry between the two parties not only set one city against another, but also divided individual cities and families into factions. In time, the original alliances and allegiances became confused in strange ways. Dante, as a Guelph, was a supporter of the imperial authority because he passionately wanted Italy united into one central state. In his time, the fighting between the two groups became fierce. Farinata, the proud Ghibelline leader of Florence, was admired by Dante, the Guelph, but Dante placed him in the circle of Hell reserved for Heretics. Dante's philosophical view was also a political view. The enemy was politically, philosophically, and theologically wrong — and thus a Heretic.

Virgil was considered the most moral of all the poets of ancient Rome. Virgil's Aeneid was one of the models for Dante's Inferno. It is said that Dante had memorized the entire Aeneid and that he had long revered Virgil as the poet of the Roman Empire, especially since the Aeneid tells the story of the founding of the Roman Empire. Furthermore, in Virgil's Fourth Eclogue, he writes symbolically about the coming of a Wonder Child who will bring the Golden Age to the world, and in the Middle Ages, this was interpreted as being prophetic of the coming of Christ. Thus in the figure of Virgil, Dante found a symbol who represented the two key institutions: the papacy and the empire, destined by God to save mankind.


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