Summary and Analysis

Letters 59–61

Celie's outrage is immediate — and rightfully justified. For all these years, Albert has lived with festering hate and vengeance in his heart, and he has beat Celie for no reason — other than the fact that Celie wasn't Nettie or Shug. No wonder Celie is now ready to kill him. She has the certain knowledge of Albert's theft and concealment, as well as a brand-new feeling of power. Celie is filled with a sense of righteous vengeance, and she wants to act — immediately and violently.

Ironically, it is Shug, the "notorious," sinful woman, who reminds Celie of the biblical commandment "Thou Shalt Not Kill." And it is Shug who tells Celie, in essence, that she must rise above the black male code of rage and headstrong brutality. Celie, Shug insists, is better than the black men who have physically abused her for so long. Celie is "somebody" now, and she is especially somebody to Nettie. Celie owes it to Nettie to act maturely with this new and certain knowledge of Albert's mean-spirited, long-lasting vindictiveness.

Therefore, Celie's new strength begins to articulate itself in more peaceful ways; she orders Shug to tell Albert to start sleeping alone. Shug complies and begins sleeping with a new, angry, and proud black woman named Celie.


Letters 59–61: 1 2 3 4
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