These relatively insignificant chapters chronicle the beginning of Holden’s slow descent into a hellish night. It is no surprise that he resents the artificiality of the stage show at Radio City or finds the war movie “putrid.” The only wonder is that he attends at all.
On his way to the bar, Holden’s reflections on the film lead to some further considerations of literature. He dislikes Ernest Hemingway’s novel A Farewell to Arms (1929), apparently thinking of it as a war story and, of course, “phony”; but he appreciates F. Scott Fitzgerald’s The Great Gatsby (1925) and an unnamed work by Ring Lardner.
For a fellow who dislikes phonies so much, Holden collects more than his share; Luce is an obvious example. At the age of 19, he poses as a worldly sophisticate. Holden is slightly suspicious but impressed nonetheless. At Whooton, Luce presented himself to the younger boys as an expert on sex, his specialty supposedly being “perverts.” Holden was, and still is, confused about the subject of sex, but he is very interested in Luce’s insights. Luce’s alleged Shanghai girlfriend, in her late thirties, fascinates Holden. He thinks maybe he should move to China and get in on some of the “philosophy” that Luce espouses. Then he wonders if he should pursue psychoanalysis, because Luce, whose father is a psychoanalyst, speaks well of it.
The sad truth is that Holden does not know which way to turn, and he will spend the rest of the night demonstrating it. He is intrigued by anyone who seems to have a handle on life. His own sexuality bothers him, as he openly admits in the conversation with Luce. Holden thinks he has a problem because he has to like a girl a lot in order to be intimate with her. If Luce were nearly as mature, or perceptive, as he likes to pretend, he would simply tell Holden that the slightly younger man’s feelings are admirable.
