Claudia and her older sister, Frieda, do not adulate Maureen. Claudia relates to her in much the same way that she related to a white baby doll that was given to her one Christmas. At first, she tries to rob Maureen of her power by dismembering her name and calling her "Meringue Pie." Maureen screams at them, "I am cute! And you ugly!" and Claudia and Frieda are momentarily stunned before retaliating with a full arsenal of insults.
The black boys who torment Pecola do so because of their lack of self-worth. They see their own blackness and their own ugliness in Pecola. Because they have been successfully brainwashed by ubiquitous and subtle pro-white propaganda to despise all that is black, they set upon Pecola as if they were trying to exorcise their own blackness.
References to the icons of Hollywood's white standards of beauty abound: Betty Grable's appearing at the Dreamland Theater is mentioned, and Hedy Lamarr's name is casually thrown into a conversation when Maureen insults black females who would dare to request a hairstyle like Hedy Lamarr's when they know they'll never have hair like that. Mr. Henry uses the names of Ginger Rogers and Greta Garbo as pet names for Claudia and Frieda, as if being called by the names of these famous white beauties would be perceived as a great compliment.
In addition to the all-pervasive white notion of what constitutes beauty, we hear about adult deception in this chapter. Both Claudia and Frieda are disappointed in Mr. Henry when he demonstrates that adults lie to children. First, he tricks them into leaving the house by giving them money for candy. Upon their unexpected and hasty return, he lies about his female guests, telling the children that the prostitutes are really members of his Bible reading class. The girls must then pretend that they believe Mr. Henry's absurd explanation. We see that children are far more perceptive than adults believe them to be.
