Hardy has brought the story full circle. Four years have passed since the day in May, in the beginning of the novel, when Tess and Angel met. At the story's end it is May again.
Angel is in the process of leaving Sandbourne when he receives news that his brother, Cuthbert, has become engaged to Mercy Chant. As he is leaving town awaiting the next train, Tess appears with the tale that she had killed Alec. Angel is unsure about her story, but now that she is finally his, he takes no chances of her being discovered. One of their stops takes them to a vacant house, called Bramshurst Court. Their week together is uneventful in that Tess and Angel finally become a married couple. She seems to know that her time with Angel is limited, because she will soon be wanted for Alec's murder; "My life can only be a question of a few weeks," she says. Her last wishes are for Angel to marry her sister, Liza Lu for "'She had all the best of me without the bad of me." In Chapter 59, when Angel and Liza Lu join hands after Tess' execution, we understand that Angel will fulfill this request.
The chase from Sandbourne ends at the historic site of Stonehenge, a collection of giant stones arranged in a circular form, dating from 2,800 to 1,500 B.C. The purposes for the monuments were to serve as an astrological calendar and a ceremonial place for religious or tribal worship. Because the original purposes of the ancient monuments have been shrouded in mystery, especially in Hardy's time, experts could only speculate as to the purpose of the megaliths. Tess and Angel stop in Stonehenge after they have traveled a long way and need rest. The stones are still warm from the sun, radiating heat all during the cool night. Tess realizes that her mother's family is from the area, "One of my mother's people was a shepherd hereabouts, now I think of it. And you used to say at Talbothays that I was a heathen. So now I am at home." Angel recognizes that Tess is "lying on an altar" — like a sacrifice to the ancient pagans who used to practice there. In a modern sense, Tess is sacrificed to the laws and morals of the nineteenth century.
