Chapter 3 establishes the tradition of storytelling as a means of passing on culture and tradition and examines the use of oral versus written language. By introducing Railroad Tommy and Hospital Tommy, who talks like an "encyclopedia," Morrison challenges the concept that Black English is synonymous with poverty. Note that Milkman learns his history from the community, not from school textbooks — much like his grandfather, who could neither read nor write, learned his history. And after Macon tells Milkman the story of his surname, Milkman relates the story to Guitar. The chapter also paints a vivid picture of a traditional black small-town community, with its distinctive rhythms and traditional establishments — bar, pool hall, barbershop, beauty parlor, and fried-fish restaurant — and illustrates how these establishments serve as gathering places for the people to discuss the day-to-day events that affect their lives. It also continues the community-as-chorus theme as community members comment on the actions of Milkman and his family, as well as on national events.
With the introduction of the Southside community, we are plunged into the heart of the black community. Whereas in Chapters 1 and 2 we were inducted into Macon Dead's sterile, silent household and were provided only a quick glimpse into Pilate's house and into the pretentious beach community of Honoré, Chapter 3 introduces us to the people who work to support the affluent lifestyles of the black (and white) middle class. Like Chicago's Southside district, noted for its crushing poverty and violence, Guitar's Southside is also characterized by crime and violence, as indicated by its notorious nickname, the Blood Bank. Still, people gather in barbershops, beauty parlors, and pool halls to relax, tell stories, and pass the time.
