CliffsNotes on

One Flew Over the Cuckoo's Nest

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Book Summary

Ken Kesey Biography

Personal Background
Career Highlights

About One Flew Over the Cuckoo's Nest

Summary and Analysis

Part 1: They're Out There
Part 1: When the Fog Clears
Part 1: The New Man
Part 1: In the Glass Station
Part 1: Before Noontime
Part 1: One Christmas
Part 1: First Time for a Long, Long Time
Part 1: Come Morning
Part 1: All Through Breakfast
Part 1: There's a Monopoly Game
Part 1: There's Long Spells
Part 1: A Visiting Doctor
Part 1: It's Getting Hard
Part 1: There's a Shipment of Frozen Parts
Part 1: I Know How They Work It
Part 2: Just at the Edge of My Vision
Part 2: The Way the Big Nurse Acted
Part 2: In the Group Meetings
Part 2: Up Ahead of Me
Part 2: Whatever It Was
Part 2: They Take Me with the Acutes Sometimes
Part 2: I Remember It Was Friday Again
Part 2: Crossing the Grounds
Part 3: After That
Part 3: Two Whores
Part 4: The Big Nurse
Part 4: Up on Disturbed
Part 4: There Had Been Times
Part 4: I've Given What Happened Next

Character List

Character Map

Character Analysis

Randle Patrick McMurphy
Nurse Ratched
Chief Bromden
Dale Harding
Billy Bibbit

Critical Essays

The Role of Women in One Flew Over the Cuckoo's Nest
One Flew Over the Cuckoo's Nest: The Film and the Novel
McMurphy as Comic Book Christ
McMurphy's Cinematic Brothers in Rebellion

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Critical Essays

The Role of Women in One Flew Over the Cuckoo's Nest

The female characters in One Flew Over the Cuckoo's Nest can be divided into two extreme categories: "ball-cutters" and whores. The former is represented by Nurse Ratched, Harding's wife, Billy Bibbit's mother, and Chief Bromden's mother.

Each of these women are intent on dominating men by emasculating them, whereas the whores Candy and Sandy are dedicated to pleasuring men and doing what they're told. Despite the obvious nature of this observation, Kesey aims higher than asserting male dominance over female acquiescence. His goal is to assert those qualities identified as feminine to undermine those qualities considered masculine.

In between the two female extremes of ball-cutter and whore is the Asian-American nurse in the Disturbed Ward who bandages McMurphy. She represents an ideal middle ground — a compassionate, intelligent, nurturing woman who is nevertheless powerless to save McMurphy. McMurphy flirts with her after she relates Ratched's history to him. She doesn't succumb to his advances, presumably to display that Kesey realizes that women are more than sexual playthings. Her presence in the novel is short-lived, however, and McMurphy is quickly returned to the machinations of Nurse Ratched.

"We are victims of a matriarchy here," Harding acknowledges to McMurphy after McMurphy characterizes his first group therapy meeting as "a pecking party." When Harding protests that Ratched is "not some kind of giant monster of the poultry clan, bent on sadistically pecking out our eyes," McMurphy responds, "No buddy, not that. She ain't pecking at your eyes. That's not what she's peckin' at."


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