CliffsNotes on

Mythology

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About Mythology

Introduction

About Egyptian Mythology

Introduction
Some Principal Gods

Summaries and Commentaries for Egyptian Mythology

The Creation
Osiris

About Babylonian Mythology

Introduction
The Major Gods

Summaries and Commentaries for Babylonian Mythology

The Creation
The Flood
Gilgamesh
Commentary on Babylonian Mythology

About Indian Mythology

Introduction
The Main Vedic Gods
Hindu Gods and Concepts

Summaries and Commentaries for Indian Mythology

Indra and the Dragon
Bhrigu and the Three Gods
Rama and Sita
Buddha
Commentary on Rama and Sita and Buddha

About Greek Mythology

Introduction
The Titans
Other Primordial Deities
The Olympian Gods
Other Gods
Mythical Greek Geography

Summaries and Commentaries for Greek Mythology

The Beginnings — Creation
The Beginnings — Prometheus and Man
The Beginnings — The Five Ages of Man and the Flood
The Beginnings — Loves Of Zeus
The Beginnings — Poseidon
The Beginnings — Athena
The Beginnings — Apollo
The Beginnings — Artemis
The Beginnings — Aphrodite
The Beginnings — Hermes
The Beginnings — Demeter
The Beginnings — Dionysus
Commentary on The Beginnings Myths (Poseidon through Dionnysus)
The Heroes — Perseus
The Heroes — Bellerophon
The Heroes — Heracles
Commentary on Perseus, Bellerophon and Heracles
The Heroes — Jason
The Heroes — Theseus
Commentary on Jason and Theseus
The Heroes — Meleager
The Heroes — Orpheus
Commentary on Meleager and Orpheus
The Tragic Dynasties — Crete: The House Of Minos
The Tragic Dynasties — Mycenae: The House Of Atreus
The Tragic Dynasties — Thebes: The House of Cadmus
The Tragic Dynasties — Athens: The House of Erichthonius
The Trojan War — The Preliminaries
The Trojan War — The Course of the War
The Trojan War — The Fall of Troy
Commentary on The Trojan War
The Trojan War — The Returns
The Trojan War — Odysseus' Adventures
Other Myths

About Roman Mythology

Introduction
The Roman Gods

Summaries and Commentaries in Roman Mythology

Patriotic Legends — Aeneas
Patriotic Legends — Romulus and Remus
Commentary on Aeneas and Romulus and Remus
Love Tales — Pyramus and Thisbe
Love Tales — Baucis and Philemon
Love Tales — Pygmalion
Love Tales — Vertumnus And Pomona
Love Tales — Hero and Leander
Love Tales — Cupid and Psyche
Commentary on the Love Tales

About Norse Mythology

Introduction
Supernatural Races in Norse Myth
The Major Norse Gods
Creation and Catastrophe

Summaries and Commentaries for Norse Mythology

Odin
Thor
Balder
Frey
Freya
Loki
Commentary on The Norse Gods
Beowulf
The Volsungs
Sigurd
Commentary on Beowulf, The Volsungs, and Sigurd

About Arthurian Legends

Introduction

Summaries and Commentaries for Arthurian Legends

Merlin
King Arthur
Gawain
Launcelot
Geraint
Tristram
Percivale
The Grail Quest
The Passing of Arthur's Realm
Commentary on the Arthurian Legends

Critical Essay: A Brief Look at Mythology

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Summaries and Commentaries in Roman Mythology

Commentary on Aeneas and Romulus and Remus

The story of Aeneas was principally the creation of Vergil, although it had antecedents in the Iliad and in Roman legend. Vergil consciously modeled his tale on the two Homeric epics. The first half of The Aeneid is like The Odyssey, an account of a hero's wanderings, while the second half is like the Iliad, an account of war. But Vergil was uniquely original in portraying a hero who fights for a future civilization, not for his own honor or for any existing nation. Aeneas knows he bears a special destiny and he sacrifices much to fulfill it, abandoning site after site, leaving his newfound happiness with Dido, undertaking a terrible war, and finally killing the brave Turnus. Yet he is not ruthless, having a generous and compassionate heart. The difference between the way he kills Lausus and the way Turnus kills Pallas is the difference between a man with a great soul and a man who fights merely to win. It is precisely Aeneas' sense of mission that makes him morally superior, because he feels himself responsible for unborn generations of men. That sense of mission makes The Aeneid an original and outstanding work of Western culture. The Iliad by contrast is deeply pessimistic. Vergil affirms the life founded on hope and action while acknowledging life's sadness and the brutality of war.

The tale of Romulus and Remus, adapted here from Livy, is a mixture of folklore, mythical tradition, and invention. Romulus and Remus have a god for a father and a virgin for a mother; they are rescued miraculously; they grow up in humble circumstances; they battle with evildoers; and the secret of their parentage is revealed. Once Romulus gains his kingdom after killing Remus he rules wisely and capably, as effective in war as in peace. As a hero he is sufficient, but he lacks the transcendent stature of Aeneas.

Patriotic heroes were characteristic of Rome, for the Romans had a community spirit that elevated the idea of making personal sacrifices for the state. The Greeks lacked a sense of the common welfare and created individualistic heroes out for fame. In this respect the Romans represented an advance over Greek culture.


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